#his breakdown arc was interesting in theory

[shaunashipman]

what i found most interesting about the entire bvddie poker scene was that it confirmed that not only has eddie friends and hobbies outside of being with buck, he also deliberately must have not told him?because in no way does it not randomly come up between besties who spend sm time together. it's not like eddie is doing anything bad either, there is no good reason to keep it a secret. additionally, we know that buck is often the one babysitting chris, and poker usually takes place in the evening/at night, so like??? the way that buck hasn't known about this part of eddie's life for sooo long is just fascinating to me because it feels like eddie had to go out of his way to keep it a secret lmao. especially in direct comparison to the emotional cheating art of eddie in s7! we see buck having awareness when eddie uses buck as a babysitter for chris, re the timing and all, even that eddie wore cologne, just saying. bvddie shippers salivated over the poker scene, which, fair enough, buck and eddie looked great in it. but what was most memorable to me is that once again we were shown how bvddie is not nearly as codependent as shippers like to pretend they are and actually don't share everything with each other (and are cool about that, too).

nonny, these are all such good words. it feels like if you even imply that maybe buck and eddie don't live in each others pockets as much as buddie shippers act like they do, that you're saying their friendship is nothing and that they don't care about each other.

I'm actually really tired of having to put a disclaimer that yes, buck and eddie are very important to each other and their friendship is very important. but I've seen co-dependent friendships and relationships on tv—theirs ain't it. also, the insistence that eddie is the biggest influence on buck's growth really rubs me the wrong way. the biggest influences are bobby and maddie

I really hope RG's comments in the article pan out during this season, and we can see eddie hanging out with the others more

[buggachat]

Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.

I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.

Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!

Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.

The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!

( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )

[lover-of-mine]

Hello and welcome to Anna thinks they just kickstarted Eddie's queer arc and *coldplay starts to play* it was all yellow (and blue). (metas on the blue and yellow here and here if you feel like reading)

I feel like at this point I have made the point that I think Eddie's queer arc is gonna be yellow where Buck's was blue very clear (post on that here, more on the theory applied to buddie here), so I'm watching for any amount of blue or yellow around Eddie. The whole thing comes back to the way 704 is very blue and yellow and the climax of Buck's bi arc, the coming out scene since it's the one scene Buck chooses to come out, is also blue and yellow, but Buck himself is blue.

This actually starts in the locker room in 701 tho, but we have established that Buck is blue, so they are in the wrong colors. They're also in the wrong colors during the will reveal, which is interesting if they follow through it this particular symbolism the way I'm expecting them to.

The will reveal is interesting because they don't match their backgrounds the way Buck does in the coming out scene, but the backgrounds have the right colors, but I digress.

The thing is, the thing that I keep waiting to happen, happened. The sandy yellow shirt. Something about Buck's journey to blue, is that he is in darker shades of blue while Eddie is in neutral tones, mostly black, until he reaches a shade of blue that's basically the color of Oliver's eyes, so it's a brighter color.

So my working theory is that Eddie is gonna mirror that, and we will have Buck in neutral tones while Eddie finds his golden yellow, that right now I'm 90% positive will be the shade behind him in the coming out scene, but Eddie's arc will be lighter shades working up to the darker ones. And this is a promising start.

But I wanna talk about Eddie's arc on the episode. Because his arc is blue and yellow, but he's drowning in blue. Which is the wrong color. And not just because the uniforms are blue.

Something in particular that's intriguing me is the fact that they changed the waiting room of the hospital, so it is yellowish now, where it used to be a more neutral blue color.

Something else is the fact that this is the school from 504, an episode called home and away, that has "you're the guy who likes to fix things" conversation, where we actually discuss the way blood family knows you differently than a significant other. So we have a few s5 callbacks going on, and I feel like this will be a pattern, even though I don't think Eddie is in route for another full breakdown, I think deconstructing parts of who he is will have a lot of callbacks to his s5 arc.

The dialogue of the ambulance scene is very interesting too, because Eddie is talking about fixing someone's heart in less-than-ideal circumstances, and he actually manages to pull it off after some struggle. I'm probably reading too much into it, but the fifty/fifty on 2 attempts is making me 👀 because if we take this to the more metaphorical possible Eddie and his own heart, unless we are talking Buck, he failed all times, but it interesting to think Shannon vs Buck since Ana and Marisol where superficial relationships. Considering what we know, how young he was and the way his relationship with Shannon got to serious to fast vs the way Buck squeezed his way into his life and Eddie did take some leaps of faith in less than ideal conditions, I can see a symbolism hidden there.

The talk with Bobby is also interesting because of the whole yellowish setting and the implication that the issue can be traced to the mustache, and since we know the mustache is gonna be important for Eddie's character in the following episodes.

But the thing that had me screaming was actually the shop scene. I wrote a meta on this (you can read it here) but 911 uses blue and red for parenting issues. And the shop, the car the dad is working on, and the equipment are blue and red. And that makes sense, they are talking about parenting. Eddie is there as a father, at least at first.

And all of this is happening while Eddie is in white.

After they go outside, while Eddie is talking about being a father in a more detached manner, he is surrounded by the blue and red, even though the chair is yellow.

But while the dad is talking about his struggle understanding his kid, he is blue and yellow. This is interesting even though I don't want to sit here and say that Weston is queer just based on the fact that he's a cheerleader, because yes, the blue and yellow is used for Buck, but is also used for henren, and if we expand on the 911verse, it is also used for tarlos, so the metaphor there.

And attached to all the struggles Eddie has expectations that were placed on him, and specifically 517 where Eddie talks about his father not wanting to seem weak, and how that obviously affected the way Eddie grew up and how he moves on to defending Weston by saying he survived something he knows soldiers who wouldn't, we have something here. Because we don't have the focus on the red anymore once Eddie starts talking.

The green elements of the scene are interesting in the same way I said the orange is interesting about the birthday party (read that one here). Eddie is a green character, I feel like a lot of us associate him with army green, but if I'm right about the color theory we have going, Eddie can't live his life as a secondary color. That's where getting to his yellow comes in.

Eddie needs to move on from that. We talked a lot about the green army armor, with that jacket he wears when Shannon dies and when he leaves the 118 (first 2 pictures up here) so he needs to stop hiding behind the green. And the green is there, but it is out of focus, it's not supposed to be the main thing even tho it does take a lot of space in Eddie's frame. Mostly because you can see the yellow very clearly behind the dad, but not the green car behind Eddie, the edges are blending, which is good. He is moving in the right direction.

He also ends the episode drowning in blue again, which, yk, wrong color.

He's also in the same color he was in 506 after the whole kidnapping and yet another moment Eddie risks everything because there's a kid involved. But this time he can't go home to his kid. Someone give him Chris back right now (set on this parallel here).

So, since Buck's queer arc was blue and yellow, and Eddie just started an arc with those, I am choosing to believe they just kickstarted Eddie's queer arc.

That's all for today, if you read this I love you 💜

taglist (interact with this post if you wanna be tagged, or send me a message, just let me know):

@sparkedblaze @hermioneindisguise @eddiedisasterdiaz @mosaicstardust @stagefoureddiediaz @kejfeblintz @glasscities @angelcamael @sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @joshwritesfics @lunarsolar1 @dingdongfries @wolfdeans @jesuisici33 @miles--to--go @hopefuldreamers-world

[lazysublimeengineer]

The latest chapter of the manga has brought back the true meaning of "Blue Lock."

The stakes are higher and almost everyone is clawing out of their way to make it to the top.

It's a reminiscent of the first and second selection arcs where no one is spared. You like Kira? Too bad because he got eliminated first. Want to see Nagi and Reo teaming up in second selection? Not gonna happen anytime soon as Nagi was walking away with Isagi's team to their next match. Wanna see Naruhaya make it? Having a great backstory and reason to join the program doesn't make you have a plot armor to push through because you don't have enough talent and skill just like with the geniuses and prodigies out there.

And it's the same for Isagi too. He is not immune to any obstacles that he is facing today. It's already foreshadowed by Ego in the previous chapter.

This is going to happen sooner or later. Also, interesting note is that it's the second time that Isagi had misunderstood someone's true intentions in this match. It happened with Kiyora before when he thought that he was going to pass the ball to him and not with Kaiser. He looked genuinely surprised for a moment. And in the second moment of clarity, he now realized that Noa was using him too to tap and awakened Kaiser to his full potential.

Now how Isagi would react to all of this is the interesting part in the next chapter. I'm seeing theories circulating online that he *might* get a mental breakdown like with Ness, put him into a clearer perspective and made Noa realized that he won't be just a stepping stone for him by doing some crazy but amazing moves once again or him signing up for Dortmund after this match and play against BM in the future (this is the first team who has shown interest to him in this arc. And if I remembered correctly wasn't Dortmund his favorite team back then?)

It's not a farfetched idea for one of these things could happen. But then again, this is Blue Lock we're talking about. Some unpredictable things could be happening soon.

Also, I'm not really mad at Noa. It just showed and proved on why he was the current top one in the franchise. He's a real egoist. You don't just survived and make it to the top by being physically skilled on your own.

I also highly disagree with him not caring about Isagi. He took interest in Isagi because of out the Blue Lock players, he had shown potential the most and he was a proactive player. Isagi doesn't wait for things to be handed out to him. He seeks his opinion and advise on soccer related things.

To your perspective, this was a cold, calculating move from Noa. But in all honesty, Noa had just done what is logically for the best and this is how he could tap out both Isagi and Kaiser's potential and ego.

The author also might be showing that Isagi needs to stop seeing Noa as his idol and mentor.

But rather a rival as well in the same vein as Rin and Kaiser.

Because if you want to become the world's number 1 striker then you have to beat the current world's number 1 and that is Noel Noa himself.

The author cooked in this chapter and I couldn't be any more glad of it 🔥🔥🔥🔥🔥🔥🔥🔥

[demodraws0606]

DRDT CHARACTER THEME PLAYLIST - My Personal Interpretation

Warning : This playlist was deleted by DRDTdev and thus this is mostly meant to be something fun, and also because people have posted a lot of interpretations that I don't agree with (and I've always wanted to make my own).

So a while back DRDTdev made a playlist that they've now deleted, however I've seen a lot of people making their own posts about who fits which song. However since I'm not "like the other girlsTM", i had mixed feelings on how certain songs were assigned.

Some songs will be exactly the same as some other posts, mainly because they make the most sense to me but I do have some interesting shifts here and there that I will try to explain.

However I want to get the obvious ones out of the way first

UNDEAD ENEMY : David Chiem

I think this one is the most obvious song in the playlist. The song talks about a person who has put on a mask and is miserable trying to addear to the expectations of that mask. There is a lot of pent up frustration and anger in those lyrics which also is very fitting for David.

There is also the hints of something more behind those feelings of hatred, despite how much he's learned to hate the world there's still a sliver of him that still wants genuine companionship.

YESMAN : Nico Hakobyan

This song already fits Nico purely from the introvert lines. I'm joking, that's not just why I considering Yesman to be Nico's song. This song fits really well with Nico's frustration with being a pushover (or you could say a Yesman) and just how society has always treated them poorly.

The song itself is about being forced to do something, like a boring job, and despite how much hatred you feel you still keep on trying to keep your head low and do what your told. I think all of that really fits Nico's arc and what we know of them so far. Someone who constantly is pushed down by other and has been taught that they need to accept it.

SHUNRAN : Arei Nageishi

This song could also fit Ace as another aggressive person who just wants companionship but I personally think this song fits Arei way better especially with the beginning line ("I won't pay attention to small fry" has a lot of Arei vibes).

This song fits Arei's desire to want love and the contradiction that comes with her aggressive personality. She feels that it's unfair how life punished her which fits a lot with the line "They say that praying to be loved is a sin" as she was constantly denied that love. The lines as well about your personality slipping and crying reminds me of Arei's breakdown.

Hi-Fi Evolution Theory : Veronika  Grebenshchikova

This song is very vague but despite that it is 100 pourcent a Veronika song.

I don't fully know what the song means in itself but the lyrics really fit Veronika's issues with boredom and her enjoyement of the killing game. There's a lot of lines about laughing and wanting to be entertained which just goes with her really well with her character.

Cartoons : Rose Lacroix

Ok, I think I lied when I said Undead Enemy was the most obvious song, THIS is the most obvious song. I don't think there's much analysis to be done to convince anyone that this is would Rose's theme.

This song reflects well Rose's depression and pain surrounding her talent and just how her life turned out in general. It kinda has that dissociative numbness in the lyrics that just fits her really well.

Sing Along : Teruko Tawaki

This song really fits Teruko extremely well especially her abandonnement issues. The song itself sounds aggressive but it oozes of longing and sadness.

A lot of the lyrics fit her feelings of being betrayed by Xander and Min, people she's gotten close to in a short time but immediatly ended up betraying her. It also fits her feeling towards her brother who ended up leaving her as well.

Now let's take a break and tackle the Instrumental songs !! This is where things start to change from other posts so get ready.

Spitfire (05 Version) : J Rosales

This one just fits J's vibes quite well. It's aggressive but also isn't too serious or intimidating, it just sounds like something J would listen in the car.

It also just has this...manly energy (?) or punk-ish energy that J has, it fits her rejecting the traditional feminity her mom tried to force on her.

Main Theme, Diamond is Unbreakable : Xander Matthews

This song is literally Xander vibes and you can fight me on that, it has a very dramatic and grandiose sound (especially when the piano comes in) that just fits how Xander holds himself (as you can see with that pose).

It's the exact type of theme I would expect from someone being the Ultimate Rebel. There's also more actively aggressive parts that I think also fit Xander, as we see he's got a short tamper when his ideologies are challanged and he also just is surprisingly quick to resort to violence.

desk rotation by RQ laji-2: Charles Cuevas

You can fight me again because you cannot tell this Bill Nye intro ass track doesn't fit Charles. Again it's hard to argue considering assigning instrumental tracks is really just based on vibes however this song really has a huge science show feel to it.

I could imagine hearing it while Charles is doing chemistry stuff or theorizing during the class trial.

Now let's go back to the lyrical songs, and this is where things start to go a bit crazy and I might need to justify myself a bit more.

asymptotic : Min Jeung

I know Charles is considered the resident nerd guy but you cannot NOT give the song about math puns to Min.

I think this song works really well for Min's relationship with Teruko. It especially reminds me of what Teruko says to Min before she gets excecuted that they "should've never gotten attached to one another".

This song is about a romantic relationship that could never happen, which I think represents Min's own feelings towards Teruko. About how they could've been closer but now they'll always be drifting apart.

How Min in a way sacrificed her life for Teruko but again she'll always be "out of reach". A relationship that could never happen under the killing game's circumstances.

RUNAWAY : Levi Fontana

I think this song especially with what Levi revealed to us latest episode REALLY fits him.

A song about a person who is repeteadly failling to try and "become better". The lines about "searching" and "tripping" goes in line with Levi's behavior in chapter 2. He's awkwardly trying to reach an ideal of the person he's supposed to be. He wants to be a "good person" but from the day he was born he was completely denied that ideal (aka "Dreams of who i want to be I'm seeing every empty page")

But there is a silver lining to all of this, the lyrics work with the moral of Levi's character. He doesn't need to run away from who he truly is, that what he considers an obstruction to his goal is simply just a part of himself he should accept. He doesn't need to "run away".

tip toes : Hu Jing

This song already just screams Hu purely from the line "I'm reaching for something more than this feeling of being important". She's a person who wants to protect others, be someone who others can rely on but in part it's very much driven by her own ego.

The lyrics are slightly vague but the parts about her "future" I feel like really gives vibes about how she used to be someone who had givne up on her own life but now is determined to persue it no matter what.

I didn't put this lyric in but "Take this ghost of me with the tide to die" again really feels like it references Hu's past and how she's ashamed of it. The song's lyrics give me a lot of feelings of regret but also determination which I think encapsulate Hu's character well.

Polygonal : Ace Markey

I've never seen people consider this one for Ace which is really surprising but also not because this song is very vague. Despite that, I do think this song 100 pourcent fits Ace purely because of some lines that really fit neatly with Ace's character.

The repeated mentions of how anyone would want to be loved/have someone to laugh with, it reminds me a lot of how Ace reacted to Levi saying he didn't care if he died. Ace desperately someone to give a shit about him, he'd rather take pity than nothing at all but he's also a self sabotager who drives anyone who gets close away from him.

"Your increasing honesty, I hate that about you" Honestly really feels like it's Ace saying that to Levi ? I wouldn't know fully how to explain it but it just really gives that vibe.

The song also seems to go on about a person's suffering about how their life is "full of failures" which again goes unfortunatly with Ace who seems to just have lived a pretty miserable life. Having only one person he could call a friend, being forced into an Ultimate Talent that both ruined his body and mental health .

Drawing Pins : Arturo Giles

Ok this one is probably the most farfetched pick, i'd say ? Considering, however, how little we know about Arturo I feel like this song has a lot of room to fit his characters and certain lines already do in multiple ways.

The parts about not being able to fit in, both makes me think of how he's kind of just, openly mocked within the group. However it also really makes me think about Arturo's family, him wanting to distance himself from them and his apparent disdain from them as well.

"Tell me what you did it for" "Cause I can't figure it out" I honestly think those parts really fit well with Arturo's sister committing suicide. He doesn't know why she did it something like that and he refuses to see it as his fault, it haunts him, he can't figure out why she did it because he can't fathom the idea that in reality it truly was because of him.

The "what do i have to do to be loved by you" parts I think are where things get a bit weird. My thought process would be Arturo's feelings towards "pretty people", him becoming obsessed with J because of her mother really makes me think that he's looking out for some kind of validation in a way.

Good grief : Eden Tobisa

I'm sorry this song is not fucking Whit, it's Eden, y'all can suck it /lh

This song really just fits way to well for me with Eden's feelings about Arei (weither she's the culprit or not even if I don't think she is anymore). The entire of the trial of chapter 2, Eden is struggling with the fact that she lost Arei and what could have been. This song really makes me think about how she tells David that she "knows she's dead and that she's never coming back". The slight upbeat-ness of the song really fits as well with Eden's attempt to try and stay cheerful despite how sad she feels.

I think Arei's death will be a very big sticking point in Eden's character.

Also the time motif with "Every minute and every hour" just fits way too good for it to be ignored.

In terms of other lyrics, I agree some of them fit Whit a bit but there are certain things that click way too well with Eden (and also none of the other songs fit Eden at all). I mean Eden's secret quote literally is "You can't go back no matter how hard you try" so clearly her character is heavily tied with grief as well.

"If you want to be a party animal, you have to learn to live in the jungle...." Really feels to me like Eden having to learn to be stronger and stop blaming herself ? It really just sounds like advice that would be given to someone like Eden who wants to be upbeat and confident but just simply is too prone to be insecure.

"Get drunk, call me a fool. Put me in my place" Again those lyrics really just feel like they fit Arei and Eden's relationship. Arei calling Eden a "fool" and "putting her in her place", it just ends up really matching perfectly in my opinion.

Mistaken Belief of Love : Whit Young

AHAH ! You have fallen into my trap of this post actually being secretly propaganda about how "Mistaken Belief of Love" really fits what's hinted about Whit's character so far !!!

Yeah, no, this song really does not make sense with anyone else other than Whit ? Both the lyrics and vibes do not match with anyone. The song's whole thing is about "love" and Whit's a fucking matchmaker, thematically it just fits like a puzzle piece. Not only that but Whit's whole thing (that actually hasn't rlly appeared in the series itself all that often) is that he seems to not be able to find love himself and is doomed to be single. It reinforces this idea that, yeah Whit's song would be about love in some way or another (I talk about love in general, this song is not a love song despite what you'd think)

It also works really well with Whit's secret quote being "We often idolize the dead" meaning Whit probably saw his mother as someone she wasn't. Perhaps she was abusive or neglectful, or she hid something from him that truly shows that she may not have cared about him at all.

There are also lines that just fit Whit really well like the "deception, boasting, saying "I openly laughed at it"", just really gives giant Whit vibes for me ? Same with the mention of "peekaboo" since we know Whit kinda holds on to childish things like that (his socks, the fact he uses fruity shampoo for kids).

Anyways, this was mostly for fun and also because I desperatly to make my own list because I had some Hot Takes Tm.

[venus-is-thinking]

A Narrative Defense of Levi Accomplice Theory

Hello everyone! I’m finally back with this post to celebrate the fact that DRDT is back tomorrow! aaaaAAAAAAAA–

For any of you who have no idea what the title means, consider it the second part to my year-old Narrative Defense of Eden Culprit Theory. In this, I’ll go over the narrative reasons why I think Levi being the accomplice (to Eden as the blackened) would make sense and open up interesting opportunities for DRDTdev to explore, if they do choose to go in this direction. I’m not at all trying to prove, evidence-wise, why Levi is the accomplice in this post. 

My thoughts on the functionality of the Chapter 2 murder method are basically exactly what @1moreff-creator (nickname FF) outlines in their A Summary of the Levi Accomplice Theory + How We Got Here post. I STRONGLY recommend reading it, both because I think it’s a great read and because as far as I know, the concept of Levi as an accomplice isn’t really talked about outside of it, so it’ll provide some useful context as to why I believe this is a possibility. 

That being said, I do want to disclaim this by saying that this post will be a lot more open-ended and speculative than the Eden version. Levi accomplice theory, at least in the context of being paired with Eden culprit, is objectively less likely to be true than Eden culprit theory by itself, and I could definitely see a world in which Levi is either innocent or involved in the crime in some other way. 

There’s also the fact that, because I don’t believe Levi will be executed this chapter, there’s a lot more question of where his character is headed. I predicted the trajectory of Eden’s arc to end in a handful of episodes; Levi will hypothetically be facing entirely new motives and twists that I have no way to meaningfully predict, so take all of this with a grain of salt.

Still, I’ve been meaning to make this post for literally an entire year, and I’m not gonna let the “Chapter 2 resumes” deadline pass! So, without further ado, here it is: the long awaited Narrative Defense of Levi Accomplice Theory!

SPOILER WARNING THROUGH CHAPTER 2 PART ONE!

T/W: Murder, blackmail, traumatic pasts 

I’m going to follow roughly the same structure as the Eden Narrative Defense, which means that I’m going to be looking at the following topics:

Motive (Why Levi would choose to help Eden commit the crime)

Story Arc (How Levi being the accomplice fits into the overall narrative)

Relationships (How Levi’s relationships impact this writing decision)

Character Arc (How this plays into Levi’s individual character arc)

Wildcard (A specific topic that I think is relevant to discuss for this theory)

These are listed in the order they appeared in Eden’s narrative defense, with Eden’s Wildcard slot being taken up by her emotional breakdown in the Trial and justifying how that wouldn’t be entirely fake/how it would be possible with her still being the culprit. Hopefully that all makes sense! 

For Levi, I actually think the best starting point is: 

TOPIC 1: Relationships

Because this theory is dependent on Levi helping Eden commit literal murder, I want to start off by examining Levi’s relationship with Eden. 

Interestingly, they don’t really interact much of all in Chapter 1; to my memory, the clearest example of them being highlighted in the same scene is when Arei throws a fit over Eden not inviting her to bake with her, where in the same scene, Arei manipulates Levi after he tries to defuse the situation.

However, we open Chapter 2 on the two of them having a rather important conversation. Notably, Levi gets “good person” name dropped in this conversation. For those who don’t know, beneath the “All That Glitters” chapter title, there’s a faint hidden text of “A Good Person.” Pretty much everyone who is called a good person is incredibly important to this chapter (Teruko, Eden, Arei, David, and Levi), so Levi getting hit with the “good person” right at the beginning definitely flags him for importance down the line. 

Interestingly, what is said here is: 

Levi is called a good person due to his reliability, which clues us into the fact that Eden might be open to relying on Levi, even if it’s for something important. Notably, here, Levi still wants to help others and try to be the best person he can be, despite his slip-up yelling at Ace in the Chapter 1 Trial. 

The existence of this scene at all, and especially given the fact that it delves further into Eden and Levi’s mental states as the killing game progresses, seems to indicate that this is a pair to watch moving forwards. 

Levi also notably has another relationship that heavily plays into the idea of Levi being an accomplice: Ace. 

Ace has spent the chapter telling Levi to fuck off and leave him alone, holding the fact that Levi said he would strange Ace over his head. To me, Levi’s strong reactions to Ace play very heavily into his secret quote:

I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness.

(If you don’t know what the secret quotes are, basically, on everyone’s profile page on the tumblr website, there’s a secret quote hidden that you can find by inspecting elements. This is the one on Levi’s page.)

I’ll get more into this later on, but this is a rather interesting quote when paired with Levi taking the action of threatening Ace, but doing it through words alone. You could argue that he didn’t actually do anything, but that’s not completely true. Ace certainly seems to think he did something. 

Levi is caught at the crossroads of his words of intent to harm Ace being treated as the true him, but any attempts he makes to reconcile are being treated as “just words.” 

However, any actions that Levi tries to take are rebuffed. He can’t repair things with his words, and he can’t take action without violating Ace’s wishes, so he’s stuck. This, of course, frustrates Levi.

This was clearly a big character moment from Levi. It seems like his will to repair things with Ace, at least, is fully gone in this moment. Notably, we haven’t really seen any demeanor change from Levi that I can think of as a result for this conclusion he’s apparently drawn, which raises my suspicions that he’s hiding crucial information from us this Trial.

But, most people who think Levi is set up to be suspicious and giving up on everyone think that he’s going to be the killer. Why do I think he’s going to be the accomplice instead?

Well, a lot of it has to do with the evidence itself, notably the grippy tape and the contraption used in Arei’s killing (see FF’s theory post). But, there’s also the fact that it’s not unreasonable to think that Eden and Levi could’ve gotten scheming here. 

While Levi walks off before Teruko, we don’t know exactly what happens afterwards. It seems like Ace got bandaged up at some point (possibly because Eden helped him?), but either way, I could see Eden and Levi talking afterwards about their opinions on everything that happened. And, of course, about their secrets.

TOPIC 2: Motive

For the sake of this theory, I am strongly assuming that Levi’s secret is “You’re a murderer, and you hold no remorse.” If it isn’t, toss this entire thing out the window, because it doesn’t make any goddamn sense. 

I think there are two conceivable paths to Levi’s motive for helping out Eden here. I know that in FF’s post, they outline one of them: the possibility that Levi would prefer that Eden escape and everyone else die over the continuation of the killing game as-is. This would be based on Levi’s belief that Eden is a good person, and his increased belief over time that everyone else (including himself) is a bad person, unworthy of living.

I certainly think this is possible, but it leaves Levi’s character off in a bit of a weird spot. Like, okay, he decided to gamble it all on Eden and he loses. Then what? It’s only Chapter 2. There are certainly ways for his character to go, but I feel like at that point, he’s either dragging his feet before dying or dragging his feet before he gets to do his survivor arc. I’m not sure if it would leave enough room to explore his character over the course of who-knows-how-many-more chapters. I have to imagine that, if Levi is the accomplice under this plan, he’d make it through Chapter 3, because otherwise, it seems like the message of Levi is that he gave up and that means he died. But, what would he be doing throughout those chapters?

So, I think that’s a possible read, but it’s not the one I favor. The second read is a little more complicated, but I think it makes sense. Give me a bit to explain it.

This theory really focuses in on my interpretation of Levi’s secret quote, which is again: 

I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness.

What this says to me, in combination with Levi’s secret, is, “I am only a murderer if I am actively murdering someone.” Sure, Levi was a murderer– but that was in the past!

(Levi makes many cryptic mentionings of his dark past. I don’t know what exactly it is, but I believe that Levi has killed someone, and might not feel remorse for at least one specific killing. It’s also possible that he feels no remorse because that’s just how he grieves– by feeling nothing– which he alludes to in the opening conversation with Eden.)

However, Ace is challenging that belief that Levi has. Can he really change so much just because he’s acting on his best behavior? Besides, it doesn’t really matter; if people think he’s a murderer, what difference is there in how they treat him?

To me, that’s what Levi’s “Why do I even bother?” means. He’s realizing that, with Ace, at least, but also maybe in general, if someone believes he’s a murderer, that’s as good as him being a murderer. In combination with his secret, that means that anyone who learns his secret will treat him as a murderer, immediately burning any relationship they have with him.

It kind of makes me think of the concept of Thought-Action Fusion, which is the psychological term for the belief that thinking about doing something wrong is just as bad as doing that wrong thing. It’s not quite the same, but it’s that kind of idea. Who cares if Levi kills someone or not? If people think he has, he might as well have. 

That, obviously, is a bad thing. It’s an even worse thing when you consider that DRDT seems to be a TV show, and MonoTV is threatening to reveal everyone’s motive secrets to everyone in the whole world if no one kills!

This then creates a bit of a paradox for Levi. The only way to prevent everyone from finding out that he’s a murderer is to murder someone on national (?) television. 

However, there is one out for him in this situation. If someone else kills before the motive timer is up, Levi gets out of this situation clean. And that’s where Eden comes in.

(For clarity’s sake, I largely think this scene is a joke. I do not think Eden is actually doing anything sinister by “blackmailing” Teruko here, nor do I think either Teruko or Eden would actually think anything malevolent of Eden because of it. However, I’ve noticed that DRDT is very good at slipping relevant ideas or information into jokes, which is why I want to look at this.)

Eden doesn’t need to blackmail Levi, per se. At least, she doesn’t have to actually put the threat out there directly. 

What I’m envisioning is basically that, after helping bandage Ace up, Eden goes and checks in with Levi and sees how he’s doing. Levi explains his frustrations with the fact that Ace is treating him like a murderer even though he hasn’t done anything, and it seems like Ace’s belief that he’s a murderer is good enough to condemn him. In response, Eden lets Levi know that she knows what his secret is.

Arei is the one who received Levi’s secret, but I’d be, like, 0% surprised if Eden knew it. Arei said she’d do anything to prove her loyalty to Eden, and especially considering how Arei overheard the secret Eden received, it would make enough sense if she told Eden about the one she received to “even it out.” 

So, let’s say Eden says, “but aren’t you a murderer? Your secret says so.” Or something like that. Levi is now obviously in a tricky position, because the answer is, yes, that is his secret, but people aren’t supposed to know that. Eden would then loop Levi into her plan to kill Arei, and they would come to a mutual understanding.

Levi has to cooperate with Eden and do whatever she says when it comes to the crime, because if he doesn’t, Eden could easily reveal his secret. To Levi, that’s a fate worse than death, because it means that he will never be able to escape his past. Conversely, Eden can’t throw Levi under the bus and spill his secret, because then Levi would easily throw Eden under the bus and reveal she’s the blackened in turn. By giving Levi a severe secret of Eden’s own– that she’ll be the blackened– the playing field levels out into one of mutually assured destruction, where both of them respect each other enough to take the other’s secret to the grave if they’re the one who fails.

Eden, I think, would be willing to take this risk in the first place, because Levi is reliable. If she understands how his internal logic operates, she can trust that he’ll see it through to the end. Having an accomplice could make it much harder for people to find out she's the blackened, which is a huge advantage.

For Levi, if you follow my read of his character, this makes sense. His best bet is to help Eden out from a neutral perspective, helping her commit the crime but not dying on the hill to help her win. If Eden loses, she can respect the fact that he didn’t out her and tried to help her. Then, Eden dies, taking everyone’s secrets and the motive to her grave with her. Obviously, the secrets ended up being more or less revealed anyways, considering Arei’s body wasn’t discovered until after the motive announcement, but David is proof enough that the students didn’t know that was how it would be ruled. 

Hopefully this makes enough sense! To summarize, I think Levi’s motivation to help Eden is to protect his own secret and survive the motive. The only way to avoid being known as a murderer is to help facilitate a murder without the fact that he was an accomplice ever being exposed. To have his secret revealed is basically death anyways, so risking death if Eden is the killer isn’t the biggest deal in the world. 

INTERLUDE 2.5: Arei’s Glove

So, this isn’t part of the narrative defense, this is me repairing part of FF’s theory. Because, Arei’s glove is missing from her body, and FF’s reasoning ended up being “Levi can drop the glove to frame himself as the culprit mid-Trial if needed.” However, because in my world, Levi is still hoping Eden loses (even if he can’t contribute), that seems a bit far fetched. So, I tried to come up with an alternate explanation of why Arei’s glove might be missing.

One of them kinda sucks, which is that Arei was wearing her glove when the water jugs broke, drenching it. Because the turf is weird, you can count on the turf not being wet by the Body Discovery Announcement, but the glove could still be too wet, giving away part of how the crime was completed. Thus, someone hides or pockets the glove so that it doesn’t give something away. This seemed halfway viable to me before I rewatched the investigation, but between the fish being entirely dried out (non-turf that was definitely very wet at one point) and the positioning of the tape marks on Arei’s wrists (which I think would mean the glove would have to be off her wrists when you taped them), I don’t think it’s especially viable.

There’s FF’s original reasoning from a while ago as to why it could’ve been missing, which is that to get a better grip on the spinny thing (carousel), Levi may have put on Arei’s glove. It could’ve gotten scratched up or stretched out as a result, making it key evidence. This is a bit presumptive, but it works enough.

The weirdest thing to me is that it does seem like Arei’s glove was taken off before her wrists were taped. I’d think taping Arei’s wrists would happen fairly early, considering it makes it harder for her to struggle. But, getting her glove off while she’s struggling seems pretty hard.

The third explanation I have is just that Eden asked Arei to take her glove off at some point before Levi showed up, because it would be annoying to tape her wrists with the glove on. Then, Arei’s glove went missing in the shuffle, or they didn’t have a good place to put it because it would be difficult to put it back on once Arei is hung up. They couldn’t throw it in the trash, because Eden planned on the class reconstructing the note they left in the trash. So, instead, Arei’s glove gets stashed somewhere and they hope no one notices it, because if people stop to think about how Arei’s glove was taken off before her wrists were taped, it could point to Eden.

I don’t love any of these reasons, but combined, I think they’re good enough that it’s not a dealbreaker for this theory, at least. Pick whichever one is your favorite and we can go forward from there.

TOPIC 3: Character Arc

If Levi’s relationships have set him up for this, and he has a viable enough motive, what does it mean for Levi that he’s the accomplice? What is his individual story telling us?

I think Levi’s character is meant to center around the concept of what makes a person good, and what allows a person to properly repent. It really seems like Levi has a not-so-good past, something that’s only heightened if he does have the murderer without remorse secret.

There’s also the secret quote, which talks about “excuses” for “heartlessness.” Levi is trying to put his dark past behind him, but it’s incredibly difficult. He wants to move forwards from it, but he doesn’t know how.

If Levi is the accomplice, it provides a really interesting opportunity for his character arc: Levi will then be exposed as an accomplice and be publicly known as someone dangerous and possibly, to some, unforgivable, but he won’t die for it. He’ll have to figure out how to navigate the fact that he does carry the burden of his past actions with him, and he’ll have to learn to cope.

If a character is meant to ask how possible it is to repent, doesn’t it make sense to give an extremely concrete in-universe thing that they need to repent for, and that everyone knows they need to repent for? 

I’m not sure exactly where Levi would end up from there. A lot of it depends on the other characters, the motives, and the kill order. I still think it’s definitely possible for Levi to take on the classic Chapter 4 buff curse/sacrifice killer mantle with this, if he decides that the only way to repent properly is to put everyone else above him. However, I do think it’d be interesting to see him fill any slot. 

He could be a victim, if his time runs out. He could be a killer, if he decides that he can’t repent, and his only option is to once again try to outrun his past. He could be a survivor if he figures out that the only thing he can do is try to move forwards, accept his past, and try to do better in the future. I’m actually quite partial to the survivor interpretation, but it’s hard to make survivor cast predictions this early.

Either way, I think this totally makes sense as a direction to take Levi’s character in.

TOPIC 4: The “Murderer” Rule

This is my Wildcard slot for this narrative defense. I don’t know exactly what it’ll amount to, but I think it’s worth discussing. 

Rule 14: All murderers must be held accountable for their crimes. 

If Levi is the murderer without remorse, I wonder if this rule will apply to him. I also wonder exactly what it means. “Held accountable” doesn’t necessarily mean that whoever is a murderer will get executed.

I honestly think a really interesting way for this to go is if Eden gets found out as the culprit on her own, but they don’t realize that Levi is the accomplice. Then, in accordance with Rule 14, MonoTV reveals that Levi was also involved in the crime, and is also functionally a murderer. This forces Levi to be held socially responsible by those around him.

Another option would be that, whenever his secret comes to light, he’s at risk of some kind of execution. I doubt Levi would actually get executed there, considering a lot of the reason I like Levi accomplice theory is because of how interesting it’d be to further pursue Levi’s character post-murder, but it’s certainly possible.

It could also be something that comes up in Chapter 6. This rule feels like it’s a direct result of the mastermind’s worldview or something. If Levi is a survivor, it’s possible that, at the end, the mastermind will try to execute him or something because he’s a murderer. Hell, maybe every survivor will have a claim to be a murderer in some way or another. That’s when the characters will rise up and say that people deserve a second chance, no matter their past. Or something like that, I don’t know. Again, it’s really hard to theorize about the whole game when we only have, like, 1.75 chapters so far. 

Anyways, onto the last point:

TOPIC 5: Story Arc

Oh boy, time to theorize about the whole game!

Because figuring out the moral messaging and final result of the last Class Trial at this stage is nigh impossible, I’ve been reading the Story Arc category through Teruko. How would it impact the way we see the story through her eyes if Levi is the accomplice?

Well, an obvious point is that it emphasizes how much you can’t trust anyone. You can’t even trust that there’s only one person with killing intent per murder! I’m sure Levi would be somewhat outcasted if this does all play out, and that would likely tie into a greater feeling of distrust. Between David’s heel turn, the sweet and helpful Eden tearfully being the blackened and facing an execution, and the stoic but previously reliable Levi being both a murderer (secret) and an accomplice (crime) out of nowhere, trust throughout the group would be at an all-time low. I think that’s a good thing; as I’ve said before, at this point in the story, I think we’re still validating Teruko’s worldview. It’s too early for a major shake-up, and to Teruko, these patterns are repetitive. They have to repeat at least a little bit for the audience to truly understand why Teruko acts the way she does.

But, even more than that, I think that DRDT has the makings of a central message surrounding fate. 

Everyone’s fate is already sealed, according to Teruko. The Lucky Student cannot die, no matter what. All murderers must be held accountable. There are a lot of big picture makings of the idea that people’s fates are already set in stone, no matter what they do.

Levi is, in many ways, “fated” to be a bad person. He’s fated to be a murderer. Whatever his past was, it seems like he was set up for moral failure no matter what. Seeing Levi fall into that trap of his destiny, being a murderer yet again after being deemed a murderer, also validates Teruko’s worldview that everyone is doomed because they’re already locked into their slots. Even if Levi didn’t die today, he will eventually.

Except, if he doesn’t die immediately, he also has a possibility to invalidate that worldview later. Levi’s survival to a point and (presumed) attempt to repent again, even after everything, could be something that shakes Teruko’s beliefs in future chapters. I’m not saying Levi would be the catalyst for Teruko’s entire character arc, but I think it’s going to take a lot of instances of Teruko being “wrong” to actually change Teruko’s mind. This is one way that we could set up Teruko being wrong, dating back to Chapter 2, so that when we get the payoff, the seeds have been planted all along the way.

 CONCLUSION

Hopefully this made sense! It’s been a long time since I’ve fully watched the series, and I only had time to partially rewatch Chapter 2 before writing and posting this. But, I remember a lot of the thoughts I had back when I was in peak DRDT brainrot, and I still believe Levi being the accomplice would make a lot of sense and open up a lot of doors narratively.

Obviously, this is what I currently believe, but even if you disagree, I hope you still found it interesting. I think it’s important to remember, going into these next few episodes, a core principle that pushed me to write the Eden Narrative Defense in the first place: we shouldn’t call something bad writing until we see it executed. Please remember to respect DRDTdev’s writing decisions and creative autonomy, no matter how you feel about the result. I’ll do my best to do the same as well.

With that being said, OH MY GOD I CAN’T BELIEVE DRDT IS BACK WE’RE GONNA GET ANSWERS AAAAAAAA–

[chosospradaboots]

in my opinion choso kamo is the best character in the hit series jujitsu kaisen. he is a very lovable character with an amazing personality, interesting lore, and peak character design. as a death womb painting choso is half cursed spirit and half human. even tho he is half curse his body is made of flesh and blood so even non jujitsu sorcerers can see him. chosos father was kenjaku inside of the kamo clan ancestor noritoshi kamo. choso has a DEEP hate for his father due to him hurting his mother and family. in the shibuya arc when choso sees kenjaku in suguru getos body he immidetly yells “ KAMO NORITOSHI” wich confuses the current day kamo noritoshi. choso immidetly runs at kenjaku like it’s literally ON SIGHT. choso ends up being frozen by but he still was goated. choso kamo also has an amazing personality. he tends to be more quiet and reserved, normally having a bored/sleepy expression on his face. he tends to try to fade into the background of social groups. in the disaster curse group he was the most quiet and reserved one. despite being very calm and stiff he also gets very emotional as seen in the shibuya breakdown scene , the bar date with yuki , and yukis death. my theory is he holds stuff in until he just kinda snaps. with the shibuya breakdown he just snapped and lost it after he realized yuji itadori is his long lost younger brother. before that he was previously dealing with the grief of his other 2 younger brothers ( choso kamo is EXTREMELY close and protective of his younger her brothers) and you can only imagine how he fealt finding out he killed his long lost younger brother without knowing it. luckily sukuna healed yujis body when he gained control of the body. choso then immidetly changed sides when he found out yuji was his brother. choso also shows extreme emotional distraught about wondering if he’s human enough. he found comfort in that from tsumumo yuki. she provided him reassurance and told him he was human enough. her dying words where even telling him that he is not a curse and he is a human. chosos cursed teqnique is blood manipulation. he had mastered blood manipulation unlike the other blood manipulator, noritoshi kamo. a theory about this i really like is that the reason choso was able to master it was because he is close to his family. noritoshi has troubles with his family and clan, especially sense his mother left and he had to listen to everyone around him call her a whore and other derogatory terms like that. meanwhile choso is very close to his family and has very tight bonds with his brothers. family is blood , blood = blood manipulation. choso also would naturally be more talented tho because he is 150 years old. during his time alive he was also able to become very skilled and master hand to hand combat wich he shows in multiple fights. some of my favorite are the choso vs yuji fight and the choso vs naoya fight. i’m very excited to see more of choso in the upcoming seasons of the anime.

[blacknedsoul-blog]

My bets on Nevermore's development

In the middle of the arc and with the White Raven divorce beginning, I think I feel comfortable betting on how all the story lines the comic has laid out so far will play out. A mixture of analysis and theories.

Duke and Montressor

I don't think Duke will die. For several reasons (one of which I'll explain below), but the main one is that Duke is a character who still has a lot to give: they've gone to the trouble of giving him a name, a past, a personality, and yet none of these things have been properly explored. The comic wouldn't really benefit from Duke dying because he still has a lot of interesting things to bring to the story.

Coupled with the fact that we're still learning how Spectres work, and with Duke unable to manifest, it's the perfect time to flesh out that part of the lore and give us a cool moment to show us his Spectre.

That said, I have a hard time seeing a way for Montressor to stay in the game once this issue is over: he's proven himself to be a menace that won't stop and an unmitigated sadist. The guy is just evil, and frankly, he didn't seem to have much more backstory or anything new to bring to the table.

My bet on him is that he'll die, maybe Lenore will go with the group in psycho-killer mode, Duke will confront him with his spectre, Morella will go against him to save Ada, Annabel will try to make merit so Lenore won't be asked for a divorce, or the Deans themselves will see him as a problem they need to take care of. If the comic thinks murder is irredeemable for its characters, maybe he'll have a Frollo-style death where it's his own ego that kills him (what if he becomes one of the creatures roaming the school?).

I think this because, besides how satisfying it would be to see him die, I think it would be a good time for the comic to show you the consequences of death within Nevermore. We know that going to the Land of the Dead is a terrible thing, but we don't know exactly what it entails. And seeing it would make any future threat seem more terrifying.

Post-Divorce

The White Raven will reconcile. This is obvious: the comic is about their relationship, the publicity for the comic has them together, and much of the appeal of the work comes from their romance. It's not a question of whether it will happen or not, but how it will happen and what the consequences will be.

Maybe some extraordinary event will happen to bring them back together, or we will have the equivalent of the Greenhouse 2.0 scene where they have a whole conversation about why, even if Lenore understands Annabel reasons, this is a situation that can never happen again.

One thing I want to point out here: I don't think Annabel did this out of jealousy. Maybe she feels it, but this story has made a consistent effort to show you that while Annabel is hypocritical, manipulative, and Machiavellian, she still has a moral compass: her reaction after when Montressor makes Ada bark and when Prospero is about to have a breakdown indicate that her limit is to hurt others gratuitously. She won't defend them if it puts her in a problematic situation, but this clearly pisses her; by that logic, it would even be out of character for her to try to hurt Duke because she's jealous, and more importantly, it would do irreparable damage to her relationship with Lenore (which is why I don't think our favorite Frenchman dies).

Understanding that, there's one thing these two haven't really talked about: for Lenore, getting her friends out of here is not something optional, she's completely determined to do it, and given this moment, it's very likely that the next step will be for Annabel to join the "save everyone" team: she thinks Lenore is capable of anything, and so she's going to put all her faith in her being able to pull this off.

Coupled with the fact that the plan to keep Lenore as a harmless figure went to hell after the incident in the tower, she's going to have to adjust things. And my theory on this is that Annabel is going to expand her rivalry plan to the group level.

I believe this because the logical conclusion after the banquet is that the Deans, for some reason, want the students to fight, to foster an atmosphere of competition among them. So far, giving them what they want has worked perfectly for them, so they would suggest that it would be helpful to pretend that things are going exactly as they think they are while they try to figure out how to get out of this place, at least until they can think of something better.

Yes, I assume Annabel will join the Misfits. She'll probably be like Zuko from Avatar, begging for forgiveness and winning them over one by one in individual arcs.

Another important development that will come out of this is that when Lenore is fed up enough with her bullshit, she will remind Annabel of her promise about how they both get their memories back: they are already right in the middle and it will be time to start putting the puzzle together.

However, I have reason to believe that Annabel will manage not to talk about the exact way they both died for a very simple reason: whether Lenore was Annabel's executioner or not, they died together. Lenore was there, and she will most likely blame herself because "if I hadn't gone looking for her, Annabel would still be alive" and for "not protecting her".

But by the time they have this conversation (or she finds out otherwise), the comic may be starting to address one of Lenore's major conflicts as a character: because of her fear of abandonment and her feeling that she is undeserving of love, she has no qualms about putting herself in danger to protect others. This is a terribly damaging perspective in the context that the Deans have created: not only is it naive to think that she can always protect her friends or Annabel from getting hurt, but Lenore unwittingly carries the feelings of the people who love her by endangering herself.

My head canon

Everything I've said so far is based on things the comic has shown and storylines that may not be explored in this specific way, but are more or less on the comic. But there's a lot of nonsense out there that I'd really like to see, even if there's little or nothing in the artwork to indicate to me that any of those things will come to fruition.

Annabel vs. Montressor

I would love to see Annabel vs. Montressor precisely because Annabel has no chance against Montressor: she has no experience in a fight, even if her spectre is a powerful one, Montressor would wipe the floor with her. But I think it would be a nice way to put a point: Annabel and Montressor are not the same.

He enjoys torturing others, she will be a villain to protect what she loves.

I can also think of two interesting things that could come out of this encounter: Lenore having her moment where she thinks Annabel is dead, parallel to the maze scene (for Lenore, Annabel is an unbeatable queen, so she could use a little reality check), and a conversation along those lines:

-L: Did you think that by putting yourself in danger like this I was going to forgive what you did?!

A: I didn't do this because I thought you would forgive me. Deep down, I know you already did, even though that doesn't mean I shouldn't face consequences for my actions.

-L: ...Then why?

-A: Because I promised you I would. I said I would distract our enemies, that I would protect you from my allies, and that's exactly what I did. I knew I couldn't handle him, but I was distracted and wounded enough to get the job done.

This would finally establish one thing that has been up in the air about Annabel: yes, she really behaves and acts like a villain. But after something like this, there would never be any doubt (for the readers or for Lenore) that she always keeps her promises.

Imagine the delicious drama that could come from establishing that so forcefully.

Eulalie is a Lennabel shipper

Come to think of it, the two of them haven't done a very good job of hiding it: we go from Lenore running all over school to take care of Annabel to watching them fight for no apparent reason.

I like to think that Eulalie seriously suspects something is going on between them, and when the Misfits inevitably find out about Annabel and Lenore's relationship, she'll be like, "Oh, you guys hadn't noticed?" while saying things like, "Oh, so you're the one who took us to the haunted mansion!"

Annabel and Berenice as unlikely friends

I love the image of Berenice physically threatening Annabel with the knife and saying something like "You're a posh bitch, but you've got style" after she doesn't react in fear. I also think Bernice would be the first to admit that while she won't easily forgive Annabel for putting Duke in danger, she wouldn't have hesitated to throw Annabel, Prospero, Ada, or Will under the bus to protect any of her group of friends if necessary.

Also, the idea of Annabel saying, "She's a violent slur. I want her around" is oddly hilarious to me.

Prospero as the ultimate "tired friend"

If Annabel takes Prospero with her, I can imagine the guy banging his head against the wall all the time because he sees all these idiots who are strangely competent when you get right down to it, but choose to spend their energy doing stupid things when no one is dying.

A terrible deal between Duke and Annabel

Remember that wonderful scene in Avatar where Katara threatens to kill Zuko if she thinks he's going to hurt Aang? I like to think that Duke and Annabel will have a scene like that:

-D: They didn't see the look on your face when they put up the wall, but I did. And I can assure you that I won't hesitate to act if I think you're going to hurt my friend or any of them, cherie.

-A: Promise?

-D: ...

-A: That you will be there to protect her no matter what, even from me. I wouldn't mind you holding the sword of Damocles over my head if it proves to me that you can protect her from any threat.

-D: You have my word.

In conclusion

So that's my bingo on how things will go in the comic from here on out. There are some things (like Morella's development, what's going to happen with Ada, or when the hell we're going to get some backstory on Will) that I don't think I have enough information on to theorize. But here it is.

[ranbling]

Sending this anonymously bc i don’t wanna get the b/t stans attacking me for saying my observation, but this is in regards to your post about tommy not being enthusiastic about buck

for starters i completely agree w everything you said so this is just my own blurb i wanted to add

this plays into my theory of tommy paralleling abby in s1 who was never looking for anything serious w buck, but saw him as a younger man who could be used as a play-thing meanwhile buck jumps in head first only to learn a lesson about what love actually is along the way after being hurt…. and ik a bunch of people are like “i don’t want buck to get hurt by another relationship” but i genuinely think he needs to be burned a few more times because he obviously still doesn’t realize that his own interests should be celebrated by his partner and not put down— buck hasn’t had something BIG happen to him since the coming out arc and that was a mostly positive arc, aside from the gaslighting from tommy but whatever… it’s time for him to go through another hurdle, not as a side player in someone else’s arc [bobby’s injury/eddie’s breakdown] but as his own arc in which he realizes he is worth more than just being a pretty boy who is only valuable when he’s being kissed. I hope that bobby and eddie’s storylines will show him that in the finale and we can end this whole buck/tommy fiasco before s8, but im scared they will drag it out further into s8 and we will get either retconning from the writers, or we will get the fandom backlashing against tommy being used for his original intended purpose which was to be a PLOT DEVICE…..

we also have seen buck’s interests and excited demeanor subdued and looked down on by taylor often during their relationship. i already have iffy feelings on how the writers handled her character and her relationship arc with buck but aside from the treasure hunt, we never really saw her propping up buck’s interests and often tried to subdue his “golden retriever” personality (something the buckley parents also did)

(this is also interesting bc Taylor Kelly and Tommy Kinard…. T-K and T-K, idk it feels very hmmm to me on top of Tommy kind of repping all of Buck’s past major relationships into s ball)

and i feel like the diaz parents and possibly whatever happens with the will could be that catalyst for him to finally be like “oh… i am worth more thsn just being a side piece” which would hopefully lead to a b/t breakup

bc think about it, who IS the only one (besides bobby/maddie) who is always trying to tell buck he is worth more than just what he is at face value? DING DING DING it’s eddie… and if we get that feelings realization of “oh this is what i need from a relationship and i get that from eddie” we can open the door to buck facing the “im in love with my straight best friend who is going through shit” crisis while eddie could have his own “i am projecting my feelings towards buck onto my dead wife because he is what i want and she is who i thought i was supposed to want”

also for eddie’s side of things, it could also be a sense of realizing that he’s projecting and this further idea of “i’m broken” and then realizing who has been there to help him patch things up in the past as he realizes that everything he has looked for in a partner (mainly someone to be a second parental unit for chris) he already has with buck.

anyway i am so sorry for the long ask i just wanted to put this out there and say that i fully agree w you and share my thoughts that coincide with yours

Hi anon!

I love long asks and I agree with every point you made! Buck is still very obviously stuck in the hamster wheel (but only this time with a guy) and the whole "I don't want him to get hurt" is such a weird thing to say. Like except for Abby, Buck wasn't really upset by his breakups and rn his relationship with Tommy is not deep with a lots of buildup, it's just some dates (one of them failed) and two kiss so not a situation that will cause him a lots of heartache

And Eddie is the one who really matches Buck's energy and not only always hypes him up, but he's just as ready to get into the those situations

The pining arc for them is gonna be soo good, but I really hope they won't make it too long, I think a half season for it is more than enough (but I am an impatient girlie and we had enough slowburn now), I just want them to be domestic

I honestly believe we'll either have bt breakup in the next episode or in the first episode of s8. They did nothing to develop their relationship past e6, but introduced many points that could he grounds for a breakup (all coming back to Tommy's behaviour).

[rattlebear25]

Charlie and Roo Are the Same Person (and why i hate the Roo Mother Theory)

I am not a big fan of Roo being Charlie's real mom theory because many things don't work: first of all, many people said the theory is right because the two has similar design detail like the hand, eyes... In the Hellaverse there are characters with details in common that aren't related but ok (Rosie with Exorcist Angels, Carmilla and Velvette...Cherri Bomb and Vaggie...)

Now, if Roo was Corrupted Eve why Lucifer should make out with a individual who hates him for make her corrupted and out of control, with the Heaven banishing him? There were happening a lot of events in that moment of the story that make impossible to make a deal with Roo to have a child. Why Roo should make a child with Lucifer? The reason of that?

Then, there are no clues about Lucifer caring for Roo/Eve because he cares clearly only about his wife Lilith and that joke he made was just for piss off Adam (he's the Devil after all, he tricks humans)

Another "proof" that Lilith isn't Charlie's biological mom is "In the original story Lilith can't have kids" but Hazbin Hotel changed many characters from their original counterparts (like Adam, Lucifer, Andrealphus, Vassago, Beelzebub ect...) so why not also Lilith? So she can have kids.

Debunked the Charlie = Roo's Daughter i believe in a more possible theory: Roo is Charlie herself.

A thing that i noticed about Charlie is that she is like containing herself: in many scenes she's starting to grow horns because she is losing her patience but then she returns quiet. In Ep. 5 she is on a mental breakdown for a second and change in her demon form. So her form in episode 8 isn't even her full demon form, she's not at her full potential, just balancing her kind side with her aggressive one. So Roo is a Corrupted form of Charlie who, while she's trying to make herself respected, master of the situation lose her sanity and becomes a freaking beast out of control. That explain also the chains symbolism in Roo design: finally she is at her full power and break the boundaries who made her weak, they can also mean Charlie's will to tame her dark side and momentarily loses control of it . It would be an interesting plot point for her starting naive, then try to balancing her menacing part of herself, being out of control of it and trying to dominate it once and for all, learning that you can deal with your negative side and not deleted it forever rather than the boring and senseless "You are the son of the villain!" moment.

I dislike the Roo Mother theory because it doesn't bring anything to the plot and in Charlie's evolution arc: she is the daughter of Roo so? What brings in the show? Nothing.

Also Charlie is getting hate for being a not interesting protagonist so make her Roo (the villain of the whole story) would improve her reputation and make her more complex, also because the Charlie's plot is being more mature, not always diplomacy resolve problems and fighting doesn't mean regardless bad. That explains their similar traits too. Another thing that i noticed is that Charlie's big hand is right, same for Roo, she has a right huge hand.

Another similarity to Roo and Charlie is the color palette and the fire (Roo's hair move like flames, Charlie has the power of fire).

"But Vivziepop respond to the question "Are Lucifer and Lilith Charlie's real parents?" that she can't answer that so Roo is her mother confirmed."

It doesn't mean anything.

That Vivziepop Live is old of years and she could have change the story realizing the plotholes it would have bring so it doesn't count as canon, we need recent informations about that.

That question place also Lucifer as possible adoptive father of Charlie while he's clearly her biological father so it doesn't work.

Like the "Adam not coming back"Interview, she couldn't answer that exactly because it would have mean spoilers for the final project. So talking about Lilith relationship with her family would have spoiled the interest.

[inevitably-johnlocked]

A Breakdown of My Thoughts On Good Omens S2

(That may or may not also be a meta about my predictions for the future interwoven in)

Hey All!

All right, I’ve officially watched Good Omens Season 2 twice, and am almost done my third time through, and I want to put out some thoughts before I start reading other people’s meta about S2 so that my initial thoughts aren’t influenced by those. I was GOING to post it to my GO blog @inevitably-ineffable-husbands first, but decided instead to make the initial post here since this is my largest audience (my GO blog is mostly a reblog blog, but it’s been pretty active the past week with people sending me asks there!).

During my second watch-through, I took some notes about stuff I wanted to expand upon. This got a bit messy, long, and disorganized so I tried to just clean up those notes so they’re more legible. I think I inevitably want to write separate meta about each section, especially after my next few rewatches (AND especially since I want to talk more about 3 or four Big Thoughts that I have about S3). 

This meta turned out to be a lengthy essay-style meta with a few bits of point form and free thoughts, broken into sections for easier consumption, so I hope you will give it a read through. It’s longer than I intended (it’s about 5,000 words), so if you need to pause anywhere, I’ve conveniently broken it up into sections below the cut, which you can see the breakdown of here:

Before The Beginning

Crowley is A-Major-Angel Theory (or The Angel That Crowley Might Actually Have Been)

Maggie and Nina (Mirrors. It’s about mirrors)

The Ineffable Bureaucracy (MORE MIRRORS YAY I LOVE DYING!)

Crowley and Aziraphale (& Their Relationship Arc) (which includes my thoughts on THAT moment and why it was wrong)

The Metatron and Aziraphale’s Decision (I actually covered a large chunk of this on THIS POST so you can read just that if you want instead)

Other Things (That I Didn’t Know Where Else to Put) 

Final Thoughts

Also, so it’s not hidden under the cut, here are the things I’m interested in expanding upon in the future, if you guys would like to read more. The first one is the only “for sure” one on my plate right now:

A Thought on AziraCrow from an A-Spec Perspective [REDUX]: An expansion on the above-linked meta I put out a week ago about their relationship arc and how I feel it’s being portrayed and what it means foor the future.

THAT Scene Small Thoughts: And its importance RIGHT NOW and why the confession will be so much more powerful in S3. Actually I think I MIGHT cover this in the AziraCrow meta, but I DO want to expand upon the scene anyway regardless.

And I don’t have many things to say as of finishing this meta, but I would like to put out my thoughts on why Aziraphale made That Choice. (EDIT: It would be an expansion on THIS POST which would include some points I made under the cut in the various sections, compiled together. I know I’ll have more thoughts as the weeks move on and as I understand the scene more and more).

Anyway, I hope you enjoy what I’ve written! The next meta I’d like to tackle is the Relationship Redux meta, provided that the asks I got in my inbox aren’t going to take up too much of my time.

Feel free to add your thoughts in the reblogs and replies as usual! I welcome other opinions and thoughts, and I will try my best to keep all the threads together. This blog is and will always remain a community project! :) 

PLEASE be advised, in that case, that Spoilers WILL BE in the notes, and OBVIOUSLY there are spoilers below the cut for the entire season! Cheers, and thank you! Enjoy!

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BEFORE THE BEGINNING

I have running theory that’s kind of on strings right now, but I feel like Aziraphale feels responsible for Crowley’s Fall, that he feels he didn’t do enough to help prevent it, which may explain his actions in Episode 6. 

Now, I’m not saying that the entire reason he spends so much time with Crowley is because of some underlying guilt, NOT AT ALL (just a small part of it), but more that he feels like he could have done more to dissuade Crowley from asking questions – It’s why he spends their entire lives trying to convince Crowley he is good! Aziraphale loved seeing an angel so happy with what they were doing, and his warnings were making Crowley unhappy. Instead, Aziraphale decided to compliment Crowley on his work to make him smile again. I think it’s absolutely something to note since this scene and the finale of E6 suspiciously bookend each other, meant to be compared and contrasted with each other. 

When Azzie is presented with the opportunity to give Crowley back something he loved doing – being happy making galaxies – Aziraphale took it, because he knows how much Crowley struggles with his own sense of self.

Unfortunately, Azzie thinks Crowley’s inner turmoil is because of who he is and his status as a demon, not because Aziraphale is literally his whole raison d’être and why Crowley keeps coming back to him – he’s only ever truly happy being around Aziraphale.

Crowley, in turn, has become Azzie’s own reason for being, he just sadly hasn’t come to that conclusion yet at this point in the story. Aziraphale thinks that by being the Supreme Archangel, he will have the authority to make things RIGHT, not knowing the info that we as an audience have through Crowley that that is FAR from the truth. I’ll go more into it in my Metatron section below.

Basically I’m saying that this sequence at the beginning exists to show who Aziraphale is as a person, an angel who struggles with his OWN sense of self and his desire to do good and make people happy. Aziraphale is so consumed with believing that he can change things if only he has some control over a situation, then it can all be better; he fails to see that he already has everything he wants right in front of him. He doesn’t think he can TRULY be with Crowley safely unless something changes the status quo, and he naïvely thinks that taking the job is the best way to do so. I think next season we will see Aziraphale finally understand that he CAN’T be “free” until he accepts that he and Crowley ARE better as one. 

Another note I wanted to make about this is just an aside commentary: Aziraphale ABSOLUTELY was smitten by Crowley. I suspect until he met Crowley, Aziraphale had never seen another angel be so joyous in his work. It intrigued Azzie and blossomed into something-unknown in him.

Azzie was smitten since before the beginning, and that he indeed pines for Crowley. He’s just terrified about what happens After if he were to do anything about it.

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CROWLEY-IS-RAPHAEL THEORY (or another Top-Ranking Angel)

This is one of my favourite theories that circulates in the fandom, and I went into a bit of detail about this on this post here, but I want to expand more upon it briefly (hah).

I think this season further proved Crowley was A Big Angel™ before he Fell (not necessarily Raphael, but it IS the prominent theory about his identity). It’s a Big Point that I think they’ve been planting the seeds for in both seasons so that we as the audience can figure it out; maybe not exactly WHO Crowley was (the general audience wouldn’t know about the theory), more that Crowley was indeed a higher ranking angel than all of them. This could be a big reveal in S3 for the general audience, and will be the reward for the “easter eggs” that the fans picked up on. 

Here are the clues that I have so far, both from the fandom theories for S1, and my own observations of S2... I have not read any meta yet as of writing this, so I probably missed some if people are talking about it:

Raphael is notably missing from the main Archangels. It’s very odd, because he was a prominent figure in a story about Abraham

When we first see Crowley in S2, we see him as the primary creator of the universe. That kind of task isn’t given to just any angel. We knew in S1 that Crowley created stars, just not the full story of it.

The only Top Angel who recognizes Crowley is Saraqael and we don’t find that out until Episode 6. They mention that the two worked together during the creation of a nebula. Saraqael is just as old as Crowley and was there Before the Beginning as well. Michael, Uriel, and Gabriel don’t recognize Crowley when they come down during Job’s trials, meaning that Crowley probably Fell before they came to be Top Level Angels. 

“A throne, a dominion or ABOVE” is who Muriel said were the only angel classes that could open the file on Gabriel, and Crowley literally just opens it without issue. Crowley faffs it off as an old password (but even then, why would he HAVE an old password for a confidential file?) but I think it’s more true that he actually had and hasn’t lost the clearance he had as a higher order of angel. Muriel NEVER stated that an Archangel can open the file at ALL. BUT I think Gaiman’s Archangels are technically top of the chain so they possibly are able to open the files as well.   For shits and giggles, I actually looked into the orders of angels: Muriel’s listed angels are part of the top 4 levels of Angel rankings. Now, I know that the authors took creative liberty with Capital A-Archangels for story purposes, but it’s a very interesting thought, isn’t it? I wonder if Crowley was actually one of the first Supreme Archangels? Just something to nibble on until S3.

The INSANE power level of HALF of a bit of a small miracle from TWO people that can raise 25 dead people is very interesting thing to literally flash red in your face as if to say “THIS IS A REALLY IMPORTANT THING TO REMEMBER, DON’T FORGET IT”. Why? Why make this the catalyst of events in the series if it’s not important and won’t be brought up again? Was Crowley’s power the one that set off alarms in Heaven since his part was to hide Gabe from Heaven?

The writers have deliberately avoided giving us Crowley’s name in Before the Beginning. Crowley has a penchant for changing his name when he wants to distance himself from the past, and there’s a good chance he purposely threw away his Heavenly (dead) name to cast aside any memories of that former life. It’s not who he is anymore, nor who he wants to be ever again.

Crowley constantly references the problems with Heaven, stuff that Aziraphale seems to have no knowledge of. 

Crowley has an uncanny sense of where Aziraphale is and what he’s up to at all times. Actually, he’s able to sense trouble from everyone regardless. NOW, this might be down to him just... being so smitten with Aziraphale that perhaps he’s purposely attuned his senses to him, but none of the other angels nor demons seem to be able to do this unless it’s with their own kind. Crowley seems to have it for everyone. This is an odd power for one “measly demon” to have.

I’m certain I’m missing a few other easter eggs here that were mentioned, but in the interim, I think these definitely the ones that are worth noting.

“One Character Split Into Two”

I’ve seen a theory that ties into the Angel Theory where Crowley and Aziraphale are actually two parts of the SAME angel, Raphael, and I only remembered it after I saw this quote from David and Michael’s interview:

“Well, now we’re playing one character that’s sort of split into two”

Interesting choice of words... Did one of them slip up here? I don’t think that this is the case, that it’s just me over-reading into an interview quote, but it is something I did came across in my readings of the Raphael Theory that I thought I should mention.

While trying to find a couple posts to link to for this theory, I came across this super interesting post regarding Aziraphale’s name meaning in Hebrew, and it does list ONE of the “unlikely” possibilities being that it means “Raphael is my strength”. While the author links this to be part of Crowley!Raphael theory, I kind of like it for the Duality Theory, where Crowley IS Azzie’s strength in the sense that he’s the Emotional Support Demon. Crowley IS kind and gentle and protective of Aziraphale. And Azzie, who gets his strength from Raphael Crowley, is the brains (or main single braincell carrier) of the operation.

Kind of like an overly-romantic version of soulmates, literally One Soul split into two people who are meant to find each other again and become whole.

Also, I go back to my point about their power being ASININE at less than half each. WHY IS THIS POSSIBLE? A theory: They are stronger than an Archangel’s miracle together, so it’s not absurd to speculate that it was stronger because it was finally at its full power with the SINGLE soul concocting the miracle.

Anyway, this Duality Theory is probably definitely not the case since we see them both Before the Beginning, BUT we can argue that the scene we saw was their first introduction after being split... Aziraphale just HAPPENS to zoom by, the only single angel in the area? Hmm.

I ALSO just want to say that perhaps when they body-swapped, that may have also activated dormant “together” powers within themselves? Just a little thought I had while writing this section.

Aziraphale is Raphael and Doesn’t Remember

And finally, there’s the theory that they will pull a Shyamalan and reveal that it’s Azzie that’s actually Raphael. I honestly think this is the least likely scenario, given that all the clues they’re putting in the show don’t at all point to this, other than the possible entomology of his name (I read somewhere that Gaiman initially was going to spell it Aziraphael to coincide with the naming conventions of the other Angels) could be a play on the Raphael name and it’s Aziraphale who’s actually the missing Raphael.

I don’t think it’s this at all, for the record. I just wanted to point it out since it is a theory that I’ve seen thrown around linked to the Raphael Theory.

Regardless of which theory it is, I just CANNOT get it out of my head at how often they kept bringing up elements of Crowley’s past, and I just.... mmmm. I know he’s more Important than he lets on. There’s just too many eggs dropped in this season for me to let it go without a bit of grumbling.

Or maybe I’m just looking too much into it. *shrugs* I can’t help it, reading between the lines is a hobby of mine I do so enjoy.

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MAGGIE AND NINA

UGH, I absolutely love character mirrors... I love seeing the parallels of characters and how they’re supposed to represent the protagonists in situations. 

Regarding Maggie and Nina, upon rewatching the series, I see now that Nina is primarily Aziraphale’s mirror and Maggie is Crowley’s. 

For Maggie, as an expansion on a drunken post during my liveblogging:

She’s smitten (”pathetically in love”) with someone just out of reach, hopelessly pining and watching from afar.

She’s STUPIDLY protective of and adores Mr. Fell and Nina.

She, like Crowley with Aziraphale, attempts to make Nina happy: She gives a record as a gift without thinking about the “after” (Crowley tends to do the same)

She’s stands up to the demons and for herself.

She’s “unloved and unloveable”, which Crowley believes himself to be

She’s the one who thought up the plans to get them out of trouble

For Nina:

Fussy and stuck in her ways

Doesn’t want to disappoint but can’t seem to do right by anyone

“we’re just friends, well, we hardly know each other” (which I believe is a line similar to one Aziraphale said in S1)

Afraid to start a new relationship for fear of not being good enough

Makes their love interest wait and hopes they’ll be there when the time is right (She will be)

Her relationship with Lindsay appears to me to be a parallel for Azzie’s relationship with Heaven, with them being "done” with Aziraphale for one too many indiscretions. Lindsay also accuses Nina of “cheating” which Aziraphale technically does with choosing Crowley over Heaven 

Their inevitable NOT match-made is a gentle parallel to the painful NOT match-made by our heroes. There’s a bump in the road, and when they’re both ready, they’ll eventually get together. 

Also, another thing I wanted to note here, is that Nina’s VERY heartfelt conversation with Crowley is super, SUPER important to AziraCrow’s arc, and I believe it is the catalyst to why Crowley made the decision to try to confess in Episode 6. Like, he genuinely looks like he’s re-evaluated a few things after Nina walks away. And because it was the Aziraphale mirror stating this, Crowley perhaps starts to get ideas in his head that maybe Azzie is ready to move forward, since “it certainly looks like [you’re a couple from the outside]”. Why not make it official then? Maybe Aziraphale IS just waiting for Crowley to make the move.

Food for thought.

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THE INEFFABLE BUREAUCRACY

I don’t have much to honestly say about this one, other than I am SHOCKED that it only took them 4 years to figure their shit out but our idiots still are at first base after 6000 years. Get your asses moving, idiots!

Seriously though, they’re the biggest pair of mirrors in the season, but funnily enough, I think Gabriel is Crowley’s, and Beez is Azzie’s.  

Gabriel, like Crowley to Azzie, introduces human things to Beez. 

Gabe questions Heaven and convinces Beez to question their side... essentially he “Falls” when the trial happens, abandoning Heaven. 

Gabe throws everything away to be with Beez. 

Beez is the one who learns from Gabe, just like Azzie learns from Crowley.

Beez compares themself to Aziraphale: “I imagine he took better care of you than I would have”.

Beez calling Gabe “you silly, silly angel”... Aziraphale called Crowley silly in the first half of the season.

And as an aside, just... the casual “I love you” from Gabe is like an unfiltered Crowley. Because I am certain Crowley will be the first to say it.

That’s just a super simplified version of it all, but just wanted to point it out so y’all can see where I’m coming from on why I think that.

And I REALLY BELIEVE that Aziraphale will repeat this or a similar line to Beez’s in S3: 

“I just found something that mattered more to me than choosing sides.”

I think it will be the line before the climax of S3 that Aziraphale says when he finally rejects Heaven. Because that was a POWERFUL line, and it will solidify the mirrors and parallels that are all over this season. I feel like Heaven won’t suffer the same incident happening twice, so we might even finally get to see a ridiculously protective, vengeful angel Aziraphale, to rival all of Protective Crowley moments! WHAT a payoff that would be after two seasons of him just kind of sitting idly by not standing up for himself, eh?? GOD I want it.

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CROWLEY AND AZIRAPHALE (& THEIR RELATIONSHIP ARC)

I have just a few notes to immediately take away from S2, but I do plan on expanding more upon these thoughts in my Revision of my A Thought on AziraCrow from an A-Spec Perspective meta I wrote prior to S2. 

In that meta I state very clearly how important their relationship and its portrayal is to me. I do concede that, because of this fact, I may be biased in my opinions about literally the entirety of S2′s relationship arc. I ADORE Aziraphale and I really see a lot of myself in him, and I can understand why he did what he did at the end, and why the “rejection” happened. But again, I will touch upon that with the revision meta.

Instead, I took some additional notes while I watched and rewatched S2 that I don’t think I can fit well into that meta without ham-fisting it in. I’ll try my best to break it into yummier sections so it’s not so messy.

Protective / Jealous Crowley (and his possible PTSD)

This point deserved its own little section, because it’s one of my favourite things this season. I love just how BLATANTLY PROTECTIVE and JEALOUS Crowley was, to the point of being near-murderous. I LOVE the confrontation scene with Gabriel so much, because it’s SO revealing to just how terrified Crowley is of Aziraphale being hurt and not being in Crowley’s life again. 

I imagine he constantly replays the fire in his head: what if Crowley WASN’T there to save Aziraphale that time??? To step into fire for him??? He’s seen how bad No-Azzie would be with the Bookshop Fire, and I think he STILL believes that it was Hellfire that discorporated Azzie (not the accidental summoning circle). So imagine the psyche of a demon who is hopelessly in love with an angel, having to be face to face with the fire that he believes killed Azzie the first time and THEN have Azzie’s boss basically tell Crowley how little he thinks of Aziraphale? Ooof.

And I also will standby the fanon theory that it was Crowley who left all the fire extinguishers in the bookshop, and not Aziraphale. Bless Azzie, he knows that this is a “New Fear Unlocked” in Crowley and lets him do it to ease the anxiety.

And isn’t it funny that Crowley (aside from the 2 year lockdown) seems to have spent every waking moment keeping a steady eye on Aziraphale? He’s scared, which is why I think he might have some PTSD related to everything he’s seen that Aziraphale is blissfully unaware of.

Their Arc and The Kiss

It’s so clear to me now more than before that Aziraphale IS Crowley’s whole life, to the point of obsession. I think the final arc that Crowley has to go through before he can truly be with Aziraphale proper is learning to let Aziraphale also protect him, to loosen the stranglehold that his fear of loss has on him. That Crowley doesn’t have to shoulder everything by himself and be Aziraphale’s shadow. Because that’s what he is in S2 – a lot of scenes of them together in the modern day is Crowley trailing just slightly behind Azzie, always watching and waiting for trouble and being there for him.

I think Crowley has a genuine fear of loss of control similar to Aziraphale’s. Where Azzie’s is related to “well if I can do this thing then everything will be alright”, Crowley’s is “well if I can just keep Aziraphale safe, then everything will be alright” and that’s... not a good foundation for a relationship. Their Big Breakup had to happen for them to both realize this. 

Aziraphale has NOT gone through his “lost my partner” arc like Crowley has with the bookshop fire. I go more into it in the Metatron section, but I think that Azzie’s arc will look more like Crowley being used as a leverage tool against Azzie by Heaven, and those seeds were planted in the final moments of E6. Perhaps something DOES happen when Crowley inevitably comes to his rescue, and he also “loses Crowley for good” (but we know that the totally-made-up-just-now law of parallels will bring him back, we hope).

They’re currently at the Miscommunication and Separation stage of their relationship. They’re both so scared of hurting each other that they DON’T communicate... they DON’T expose each other to “bad things” that they know and instead just focus on the good. The breakup had to happen the way it did for Aziraphale to finally Get A Clue – because I honestly don’t think he realized Crowley loved him until the kiss – and that Azzie himself wasn’t the only one with a crush on his best friend. It had to happen that way for Crowley to understand that his overprotectiveness and lying by omission only harms Aziraphale in the long run.

Listen, I think it’s possible that Azzie thinks that Crowley only did the kiss because he didn’t want Aziraphale to leave at that moment, just another “Crowley thing” that he would do. It was piss-poor timing that was at the tail end of too many emotions and anger, and it’s easy to see how Azzie could have interpreted the kiss wrong. 

They both expressed wanting to be together, but misunderstandings will ensue because neither of them are good at communicating WHAT exactly "being together” entails. Crowley thinks Azzie means “working together side by side for a shitty company”. Aziraphale thinks Crowley means “just doing what we always do and having fun doing it”, both without shifting the status quo, when in fact they both mean “I can’t see myself with anyone but you and I want you forever in any way we can be, let’s please shift the status quo”. 

Then Crowley made the situation worse (though I do think he was VERY brave in doing it because WE the audience know his intentions are true and honest) by adding a kiss into the mix when they’re both upset and angry at each other. Both are left crying (Aziraphale turns around when the Metatron arrives, and there’s NO reason he should unless it’s to wipe his eyes. And Crowley deliberately put his glasses back on, so I think it was to cover up the tears) and no one gets what they truly want.

I think we’ll get a payoff for this next season, when they’re finally BOTH on the same page and NOT misunderstanding each other. I think there will be a “did you mean it?” from Aziraphale, and then a verbalized “I love you (or a variation of those words)” from Crowley, and then the paralleled line of “our side” I mentioned in the Gabe & Beez section. I think there will be a better, more satisfying kiss next season. I really do have faith about that.

Other AziraCrow Things

I saw a meme that put it best: “Aziraphale fell first, but Crowley fell HARDER”. I think Crowley is more comfortable in his pining because he’s not constrained by the same hangups and “obligations” that Aziraphale has. Aziraphale is worried that it’s “sinful” to love a demon.

I mentioned this before in the Raphael section, but I want to reiterate the point about The Miracle, because it’s SUPER important that this was a big plot point. The fact that it was so strong for something apparently so minuscule according to them proves that they are better together, and now that Heaven is aware that their powers combined to create that miracle, they absolutely want to keep the two of them apart. They suddenly became very aware that Aziraphale and Crowley are RIDICULOUSLY stronger together, because if a tiny miracle can set off alarms in Heaven, what can two full miracles combined create? I feel like this is a BIG Chekov’s gun for S3. 

I think a large part about why Crowley is offended by Aziraphale’s acceptance of the job offer is because Crowley is upset that he’s not enough for Aziraphale, especially when he rejected Beez’s offer for Aziraphale. His voice shakes when he asked what Aziraphale did. He’s hurt.

THE TOUCHING in this season is insane. It’s so casual and it’s EVERYWHERE. Their relationship, when it’s finally actualized, is going to be heart wrenching in a good way, the “good sort of hurt”. I truly do believe AziraCrow is endgame.

It amuses me to no end that the fact that these two idiots and their one braincell think that they can make a human relationship work when they’ve been mutually pining over each other for 6,000+ years with very little progress. And good lord, they both take their advice from fiction. It’s hilarious.

Aziraphale’s unending faith in Crowley’s “goodness” also kills me. I love that Crowley actually never wants to kill anything, he’s literally just trying to get by without getting caught, and he always gently encourages Aziraphale to do the same. He cares so much about being gentle with Aziraphale. The scene on the rock where Crowley is SO SOFT with Aziraphale melted my heart. It’s so sweet.

I LOVE that it was CROWLEY who got Aziraphale into food and drinks. It explains a LOT about why Crowley likes watching Aziraphale eat. HE did that. It was his first “gift” to Aziraphale (to his knowledge at this stage, when really it was Crowley’s smile at making the universe that really did it).

Crowley’s devotion to making Aziraphale happy while Azzie is just oblivious to how Crowley feels hurts a LOT, but I want to expand more upon this in my followup reblog to my relationship meta. I see myself SO MUCH in Azzie it’s goddamned scary.

Actually, I don’t think Aziraphale is oblivious to be mean, since he makes a point that “rescuing me makes him so happy”, BUT I think Aziraphale might misinterpret Crowley’s devotion as “Crowley wanting to do good” and not “omg he’s in love with me and wants me safe always”. Which I think is why Azzie is naïve enough to believe that Crowley actually WANTS to do good and not get in trouble for it, so thinks that Crowley will jump at the chance to go back to Heaven with him. Aziraphale always saw the rescues and the saving of children and animals on the same level –  as a demon fighting against his nature – when in reality it’s a demon who just does what he wants because he cares about everything and Aziraphale happens to be at the top of that list.

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THE METATRON and AZIRAPHALE’S DECISION

This section will be short since I actually covered a large chunk of it in my Manipulation of the Metatron Meta Reply a couple days ago, so please go read that if you’re interested. The shortened, summarized version of that is this:

The Metatron is playing Aziraphale, and he’s only using Aziraphale to bring about Armageddon 2.0, using Aziraphale’s desire to be needed and useful against him. Azzie DIDN’T see what Crowley saw in Heaven when he accessed the files and I don’t think he knows about the Book of Life Threat that was the punishment for harbouring Gabriel, either. Only Crowley knew about that, but didn’t tell Azzie (again, a huge problem in their communication that needs to be worked out).

Heaven and the Metatron KNOW that Crowley is a liability and I suspect they also know how powerful they are together. They needed to drive a wedge between them, and knew Aziraphale was pure-hearted enough to believe that he could make a difference, AND that Crowley would never take up the offer that was presented given his vocal disdain for both Heaven and Hell. 

And they chose Aziraphale as opposed to the other angels because the angels actually lust for the power, and that can be unpredictable. But because Azzie has ALWAYS only wanted to do Good with no ulterior motives other than to Make Everything Better, he is easier to manipulate. Crowley is the bargaining chip that will be used against Azzie if he attempts to go rogue like Gabe, that I am pretty certain about. I think that Azzie will find out about the Book of Life because they’ll place blame on Crowley for harbouring Gabriel. Aziraphale has no idea that Gabriel really didn’t have any power. The minute Gabe turned against them, a trial and ousting happened. Aziraphale got himself into a no-win situation, and upon discovering this, he’ll believe that, because he rejected Crowley, Crowley won’t come to save him this time, so to save Crowley, Azzie will go along with the plan. Crowley’s life will literally be in Aziraphale’s hands.

I’ve no idea how Crowley will find out about it (from Muriel maybe?), but Crowley’s POV will be the primary focus next season (since this season was Azzie’s) and we’re gonna see a vengeful demon and I’m here for it. Will there be a dramatic rescue or sacrifice? I think so. Not sure who the whump candle will go to, but my bet is on Crowley this time since we got Aziraphale in S1. Who knows. I’m all for “Aziraphale is hurt, so now Crowley goes feral”, but that’s a personal preference that I can get from fanfics, LOL.

Anyway, the long-short is that this job will be the wake-up call Azzie needs to finally see what Crowley saw, without the manipulation of words to confuse him. That Azzie can’t just “make things better” because he will never be allowed to make things better. As a Supreme Archangel, he will have the clearance and ability to find out everything Crowley did. Unfortunately, it will be too late... or will it? ...

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OTHER THINGS ON MY MIND (that I didn’t know where else to put)

Aziraphale NEVER FELL because they didn’t want it to look like an Institutional Problem. I even hazard a guess that NO angel has ever Fell since the Initial and Only Fall that sent Satan, Crowley and the other demons down. But Aziraphale doesn’t know that and I suspect that it’s this constant fear of Falling that keeps him complacent to Heaven. He’ll find out how they’ve really been dealing with problems when he’s in his new position.

And I think Azzie also never fell because Crowley made a point to never ever snitch. He knows they would eat him alive in Hell, so he protects Azzie from that as well.

I love that the Bentley clearly has a favourite and it isn’t Crowley!!! The car literally tries to follow Aziraphale. It’s so cute.

And on the subject of the Bentley... Crowley can feel everything going on with his car?? So like... is that a metaphor for Aziraphale being inside Crowley or.....? hee hee heeeeeee.

I loved that David got to use his natural accent in the Edinburgh scenes. IT’S SO PRECIOUS OMG.

And and and while Crowley was high off his rocker, he clearly says “Where are you??? 😢” and Aziraphale had to reassure him that he was there. So sweet.

Aziraphale and his inability to do literally anything humans do “the normal way” (mobile phone use, be a “newspaper man”, properly drive, learn French properly) while turning around and lowkey mocking Muriel is... something else. What a hypocritical dork.

The realization that they have a WHOLE-ASSED apology dance hit me like a tonne of bricks, and we KNOW it’s coming back in S3. There needs to be an entire cabaret from Azzie this time ‘round, LOL.

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FINAL THOUGHTS

I adored season two, more than season one for sure, and I loved that it built up upon the AziraCrow relationship. It was an interlude that lets us know that they’re sort of in a rut, stuck in a status quo that both are afraid of changing, and that they both need a catalyst event to happen to truly be together.

I remain more hopeful and certain for a satisfying conclusion to their arc than I ever have before. Which is saying a lot because privately, after Sherlock S4, I kind of was ready to not put my faith in another show to canonize a ship I love ever again. 

But there’s a huge difference between this finale and Sherlock S4′s finale: GO S2 DOESN’T feel complete, and Neil wants to finish the story.  I went into more detail about it on this post here, but essentially it boils down to S4 left me feeling hollow and empty because its 4th season felt so detached from what we already saw. It felt like the closing of a book with the wrong pages in it, with no confirmation in sight of concluding the series proper with the S5 they’ve been promising for years. GOS2, on the other hand, left us feeling like everything’s WRONG but in the right way, you know what I mean? Like there is a part two to this saga to be completed. And that Neil himself seems determined to finish the story regardless of what happens.

I like to think that both Michael and David know what Gaiman plans for the endgame of their characters, given that Gaiman HAS said he does “have the final fifteen pages of Episode 6 [...] written. Given what we got in S2 with The Kiss, and Michael and David’s adoration for this story and its characters, I am hopeful that Neil entrusted them with what he wants for AziraCrow. They in turn play those characters better for it. 

So yeah, maybe I’m just putting clown shoes back on with this one, but I will remain... optimistically skeptical. Like, I REALLY want and believe that AziraCrow is endgame, that the Husbands will be actual husbands, but I also will remain skeptical that it can happen and not be upset if it doesn’t. I got a kiss (a terrible one, but a kiss nonetheless). I got a tonne of touching. I got them dancing together. I think that’s more than we ever could have hoped for, and it’s already leagues above what I am used to.

To conclude, here are some more questions, thoughts, and hopes for S3:

There are SO many “Chekov gun” moments in play in S2 currently, little things that really seem so pointless to have introduced (like the apology dance) and I am TRULY hoping that it’s true that Gaiman didn’t put things in this series unless it’s important later. I feel it will all come back around. Where S1 had open and closed plot points, S2 did NOT. 

Why was Crowley able to get into Heaven without any issue? Is THIS part of the Ineffable Plan? Why does Crowley not want anyone to know who he was before the Fall? It’s clear Crowley POSSIBLY knows more than he lets on about Everything. I think he was at one time the Supreme Archangel... Gabriel’s banishment could foreshadow this, given that Gabe is deliberately used as a Crowley mirror in this season.

I hope for a stupidly emotional, makes-me-sob-fat-tears, reunion, confession and acceptance of each other. Oh, and of course, the infamous cottage in Sussex we all hope for. I am a SUCKER for emotional beats and I CRAVE it.

Oh, and a HUGE apology dance from Aziraphale. You introduced that shit, I want to see Azzie go all out in return.

I think Crowley will be the first one to confess verbally. The Gabriel mirror kind of sealed that for me.

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FINALLY, that’s that! Thank you for reading all the way through, if you did. Again, as I alluded to in my introduction, I may expand upon a few sections of this meta on other posts in the upcoming weeks as I catch more and more things, and start integrating other people’s meta into my own theories.

Apologies for any errors in this, it took me nearly 2 days to write and a very tired couple proofreads through it to clean up hanging text.

I hope you enjoyed my foray back into meta-writing, and please, do not hesitate to send me an ask to either of my blogs if you wish for me to expand more on a topic.

Cheers, and good day 💙🖤

[lover-of-mine]

This is gonna be a very weird color meta on Eddie, so strap in, I guess🫶

Okay, so, during season 7 Eddie didn't have a lot of color attached to him, while he is usually in neutral tones, he had no color except for a few specific color theory moments (the green to match the blue with Buck during 704 and 706, the pink from the bachelor party) until 707 and the Kim of it all, where he gets some color until 709 when we see him having that release of feeling moment with Shannon's ghost with the white shirt, he's mostly in black, he is in white/off-white on the dates with Marisol, but it is still technically no color.

Then in 710 we see him in 4 different outfits, 2 blue ones, a maroon one and a green one.

A while back I tried to offer the possibility that the show is using maroon for Eddie in the same way they use green for Buck (you can read more about this here) and I also have this running theory that the thing Eddie is chasing is color.

When you look at Eddie's relationships after Shannon died, the women aren't really allowed color, unless the context is attached to Christopher. It was worse for Marisol than it is for Ana, Ana was allowed some baby blue shirts, Marisol was trapped in a greyscale, except for the chaperoning date and the lunch Eddie was daydreaming Shannon.

But why is he chasing color? Shannon had a very bright and warm color palette.

And when contrasted with Eddie's earthy tones, that color attached to her stands out. The show goes as far as making Shannon a point of color in the room during 213. The orange she's wearing makes her stand out. And I think in some weird metaphorical way, Eddie has been looking for that since she died.

I have a running theory that the same way Buck found his blue during his coming out arc, everything about it is blue and yellow, but Buck himself is blue, all leading to the coming out scene, because the blue he is wearing there makes for an extremely harmonic composition. (you can read more about that theory here and about the blue and yellow in general here and here)

But to make a really long theory short, considering the colors in the coming out scene and the way that Buck matches the background, and Eddie is front of a yellow background while in a color that absorbs all colors and doesn't allow him to reflect anything, I am making the jump that Eddie is gonna find his yellow.

But here's the thing, yellow is attached to tragedy in Eddie's life through the people he loves. Shannon died in yellow, Chris is in yellow during the tsunami, during the breakdown and when he leaves.

So, it's not like the warmth he's seeking here has a great connotation when it's detached from him, but if the goal here is to make him okay with himself, to lead him to a place where Eddie is the yellow, could have some fun color theory implications.

But how did I get here? Because of the white in 709 and party hats. First the white. A few noticeable moments Eddie is wearing white is in 218 when his parents try to convince him to go back to Texas, 301 when he drops Chris off with Buck before the tsunami, in 511 before the breakdown, and in 709 when he's talking to Shannon's ghost through Kim.

And when you think about white as a color of innocence or hope, and the way the show puts Eddie in white as shit hits the fan, the use of white with Eddie is very interesting in this context too. Because these are all situations where Eddie is in a bad place and thinks he's doing the right thing that eventually leads to something awful, so the white leaves that positive connotation of "I hope I'm doing the right thing" straight into the coldness, emptiness, isolation idea. White is used a lot as a color of change, to signify the ending of a cycle or the beginning of a new one, it's why some cultures have white as a color for births, some have for funeral, why we use it at new years, so I think the white in 709 was kickstarting something.

And the hats, or maybe more than the hats.

I talked about this with @dangerpronebuddie but I never made a post about this possibility because it is a bit of a reach even by my own standards. We established Buck found his blue.

Chris is red, in a sense, his glasses are red, his crutches are red, the color Eddie picks for his party is red. (Buck is also very red when it comes to emotionally vulnerable moments, but that's not really relevant right now lol)

Eddie is greenish in general. I feel like a lot of us associate him with army green and it would make sense. But green is not a primary color. Not unless you are talking about physics and light.

Red, blue, yellow. Chris is the red, Buck is the blue. And I think on some level, Shannon's death is the yellow. Things that define the way Eddie lives his life. But, well, he can't exist as a secondary color.

Okay, but what does this have to do with party hats?

He is in 2 colors that have red as a base, orange and a very reddish brown, a representation of the thing he misses, while also learning into someone else who's red.

Because it is interesting to break down that orange into the base colors Eddie is trying to make up for, the fact that he cannot give Chris Shannon back or get Chris to come back. Especially with the way Buck is red and he's trying to make up for the space Chris left.

All of this to say, I think there's some real intense color theory going around here, because the cupcakes were a combination of blue, yellow, red and orange, and we saw Ryan in what's presumably an sandy yellow Eddie outfit. And I think he will work towards some sort of honey/gold yellow as he finds himself, to mirror the colors of Buck's coming out scene.

I think that's all for today. I woke up with this thought in my head, figured I might as well share it lol

If you read all this, I love you 🫶

Tagging the people who interacted with this about being tagged in my metas, you can do that too if you wanna be tagged

@sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @miles--to--go @jesuisici33 @wolfdeans @dingdongfries @lunarsolar1 @thegreenwoodarcher @angelcamael @glasscities @kejfeblintz

[tripleglitchwriting]

My earthspark Season 2a thoughts

Warning: SPOILERS FOR THE WHOLE THING!!! And a lot of rambling. And negative thoughts.

As much as i hate to admit it, I was kind of disappointed. It’s not that it was bad, I did still enjoy it, but I feel like there was so much missed opportunity.

The show wasn’t well advertised for, especially season 2. I have a feeling Hazbro doesn’t really care much for it. I think the team that works on the show is great! They’re obviously very talented, passionate, and hardworking, but (so far) season 2 saw a definite downgrade from season 1.

The animation is the first thing that comes to mind. While it is still tv show quality, when compared to season 1 in some parts it feels clankier and less polished. Though I don’t know much about 3D animation other than it’s hard, so I suppose I can’t really critique something I have no practice in.

Then I come to the characters. Here I see the seasons biggest flaw. Starscream’s character arc got completely obliterated, (though they did at least mention his interaction with Hashtag) Nightshade got sidelined compared to the other terrans, and Breakdowns character arc also got the boot.

Breakdown interacted with Bumblebee once, and it was in the finale while they were fighting in the background. If it were just this plotline that got pushed off, I would be fine with it. It’s hard to fit in every single character thread in 9 episodes while also introducing new things. Except it wasn’t just this.

In season 1 they set up the perfect redemption arc for Starscream. Him finally meeting someone that actually listens to him, Megatron’s past abuse and Starscream feelings about his subsequent redemption, it was really interesting to see! But then he pulled a Steeljaw and decided to make New Cybertron. Character wise, sure, I can see why he would want to do that. However, it totally disregards his past interactions. We don’t even know how he found out about the titan, there are so many missing pieces.

Then there’s Cosmos. I think Cosmos is great! I think it’s cool that his voice is Weird Al! I was so excited to get to the next episode and see him take Robbie’s offer to join team Terran and the autobots… and then we don’t see him again. They even set up a potential conflict with Megatron being redeemed! And then nothing! My theory is they couldn’t afford weird al for another episode. Maybe he’ll be back in 2b?

Personally, I don’t like the chaos terrans. It’s an interesting concept, and it isn’t executed as poorly as it could’ve been, but they just fell below the bar for me.

Aftermath has one character trait and it’s hitting things. For the start of his character, that’s fine! Having him only see value in destruction is an interesting foil to Jawbreaker and the rest of the terrans. However, even after the episode with him and Jawbreaker, he doesn’t change. He steals the cave water (which, by the way, how do they get fuel now???? Does it come back???) and goes back to being terrible. I can see what they were trying to do with him, it’s cool having a character that was made to be evil go up against characters who try and Steven universe anybody that shows a hint of the possibility to change. But there’s just nothing interesting about Aftermath. They don’t even dive into his relationship with Breakdown that much after his debut episode.

And then there’s Spitfire. I have mixed feelings about her. On one hand, shes pretty much the shape the hedgehog of transformers. She’s the mean edgy version of an already established ‘good’ character who is designed to be better than said already established good character. On its own that’s pretty overdone, and so is the body switch troupe. It’s a good hook but super predictable. She’s more interesting than Aftermath, at least she has a reason to stay evil, but she just feels like a plot device to create conflict rather than an actual well-formed character. Maybe that’s what she is? On the other hand, her debut episode is really well directed! It was some fantastic shots and combat sequences! I absolutely love what they did with that! The fact she nearly killed Wheeljack was really surprising (in a good way) to me! It even played to Wheeljack character by having him be the first to figure her out!

A good amount of the episodes were as well directed as episode 6. They have a lot of good moments! Some I even laughed out loud at! It may just be the fact only half the season is out, but really 2a felt a bit empty. We got no new characters other than Cosmos (who had like 10 lines and then dipped) the chaos terrans, and the fairmiestero. There were a lot of missed opportunities in that department and in the department of pre existing characters.

Nothing new about Megatron (though I did enjoy the part we got to explore cybertronian culture with the polyhex tournament!) and no comebacks of older characters (where is prowl).

I thought the quintesson lore was pretty interesting though! They will probably be the villains of 2b. I still have hope for the series. They could right a lot of wrongs with the next part of season 2. I sincerely hope these loose ends get tied up.

I’m tired, I have more to say but the energy to type it all out is not there. I also didn’t proofread this so sorry if it’s just rambling and spelling mistakes haha.

[moraloreldeservedbetter]

It's been FAR too long since we've last talked, but I recently rewatched the series and I really wanted to talk about Bloberta and Shapey (And Bloc) because those two kids have always been very oddly endearing to me.

We all know that Bloberta is a negligent mother to both Orel and Shapey (and later on, Bloc), but I personally think that while Clay is physically abusive towards Orel, Bloberta is emotionally abusive towards Shapey.  We see in "Help" that she manipulated Clay into marrying her because she just wants someone to help, and I think she does the same thing to Shapey in a way.  She claims that she is "weaning him" but really it looks like she's teaching him to be quiet until she wants to be "helpful."  As in, she feels like she is helping him when she nurses him, so she doesn't wean him, she intentionally makes it so that he's dependent on her BUT only when it's convenient to her.  That's why one minute she happily allows him to nurse with no resistance, and then the next she'd rather do something else and sprays him with a bottle like he's a pet cat and ignores him.  He's just a means to an end for her, and in doing so she emotionally manipulates him, to say nothing of how her ambivalence must affect how developmentally stunted he is already from the constant neglect from his family.  And all this is underlined by Clay- who Shapey probably thought was his dad up until the season 1 finale, if not then he probably still thinks is his dad -openly hates him, and Orel- the one person who cares and tries to help -is constantly told by his parents to "leave Shapey be" (aka perpetuate his neglect) or risk being punished.

(And yeah, Shapey does hug Coach Stopframe and yell "MINE!" but I think realistically he saw his mom and dad "hugging" him and thought "Well, now it's my turn!"  I don't think he knew he was illegitimate at the time, and it's possible he still doesn't know.  I also highly doubt he knows Stopframe is his father.)

Idk what Poppet was doing to Bloc, but when he and Shapey got switched, Bloberta didn't notice the difference.  Bloc must have been through something close enough for Bloberta to continue doing what she was doing without resistance.  I do think it's interesting that Bloberta is so manipulative to Shapey all for her desire to be helpful, but never even noticed when she wasn't even with him anymore.

Had we gotten the episode "Nurture" and Shapey and Bloc gotten their character arc, I wonder if they would have ever explored the idea of them both weaning themselves.  Like, if their friendship made them bolder and they decided to grow up on their own and ended up rejecting Bloberta even despite her apparent manipulating.  I think Bloberta would have had some kind of breakdown.  Maybe she wouldn't lash out at them or double down like Clay does with Orel, but I think she would throw her own kind of fit.

Idk, at the end of the day it's just a theory, but in my mind, Bloberta is destructive towards Shapey and Bloc the way Clay is destructive with Orel (albeit in her own way).  And it really proves how selfish she is, first manipulating Clay into marrying her under the guise of being "helpful," then doing the same towards a son she otherwise wants nothing to do with, AND THEN doing it a THIRD TIME with Bloc.  Like, girl had so many chances to get it right and didn't.

HOLY SHIT

LOOK Y'ALL

ACTUAL ANALYSIS!!

THIS WAS FANTASTIC HUN

[alexandraisyes]

What do you think about each Celestial family member having their own villain arc?

In theory? Yeah that's an interesting concept

With the show's canon? No. That sounds like a total disaster when the only person they really have left is Earth.

Sun: Killed the original bm, Tried to kill Eclipse, Purposefully scared Lunar, broke Moon's computer in anger, blah blah blah. Honestly, he hasn't done anything that bad past those things. And he tried to fix things afterward, but I'd still call that his "villain arc" because he was acting downright vile. And yes I know it's because he was dealing with a psychotic breakdown, which is why I'm not being that hard on him. But also he spent months pushing Nexus away and then was upset that Nexus wasn't like old Moon when he never really made an effort to get to know who Nexus was, he just assumed he was like Moon.

Old Moon: God I could literally go on all day. He's a villain in his own right. Abused Sun physically, mentally, and emotionally for years. We still haven't seen a proper apology or acknowledgment of that. Friends with Monty, which should be a crime in itself. He's literally done whatever he wants whenever he wants the entirety of his existence and blown up at people when they try to tell him no. He's only bothered to care when things are out of his control, he's been known to be a control freak and borderline obsessive.

Lunar: Killed Eclipse, loves to threaten to shock people for pissing him off, plus he's always been a very morally grey character. He does what benefits Lunar and doesn't care about what other people think or how it will affect them. He's a little bit narcopathic, to be honest. He lied about Eclipse abusing him for over a year just to get sympathy points, and it's only been in the past few months that he's come clean about the fact that Eclipse never abused him. He's two-faced and immature.

Nexus: Currently going through it, someone send him cookies, please. Bro is dealing with a virus and psychosis and is not having a good time, and I'm honestly slightly upset that they're actively villainizing him when he's quite literally mentally ill. Especially since he's more or less dealing with the same thing Sun was a year? Two years? ago.

Eclipse: I know he's not a part of the celestial family/related to anyone anymore, but he literally made the purpose of his existence into being a pain in the ass three separate times.

Ruin: Also not in the family but we all know his crimes (being too silly)

Solar: I don't consider him as part of the family the same way I don't consider Ruin or Eclipse as part of it. However he's cold and calloused in his own right (he is an Eclipse after all, even if he's supposed to be a "nice" one) and has been known to have something of a temper. I wouldn't say he's ever had a villain arc, but also he's a very morally grey character (again, he is an eclipse). I feel like if he had any less restraint we would have an entirely different view of him.

Killcode: Not part of the family but bro literally started as a cannibalistic freak like-

So of all the "positive" characters that leaves us with Earth. And so far she's managed to be angelically (this is a compliment to her self restraint) composed and hasn't caused any damage. So far. I really hope they don't give her a "villain arc" because she's like a breath of air in the dysfunctionality. Like yeah, she's dysfunctional and fucked over in her own right, but she hasn't tried to kill anyone. She hasn't tried to hurt anyone (besides bm but that was a security/defense protocol and they lowkey deserved it). I like Earth, I hope they just keep doing what they're doing with her.

I know a lot of people don't like Earth and call her a "Mary Sue" or some shit but I think that just comes from a lack of media literacy because she's a very detailed and complex character who's more than just "a pretty face and kind personality with daddy issues". Y'all who say that are just being offensive and rude, and it comes off as extremely misogynistic. Yes she has her flaws, but I don't see people hating the rest of the cast like they hate her.

[aspoonofsugar]

hey! Good day :) here to ask a question!! I was wondering about your process for analysis, character analysis, theme analysis- do you just write or are there specific things you look for? I suppose I’m curious if you have an idea/general gist of what you’re doing or steps you take to do your breakdowns. I’m trying to do something similar out of interest and your works are simply fascinating to read. I look up to your writing a lot!

hello!! Can I ask how you started analysing shows, how you went about it? I’m learning literary analysis and trying to do the same for hunter x hunter but I find it infinitely harder to analyse shows. Especially since I most notably consider diction in literary analysis lol

Hi!

Thank you for your nice words anon(s) and yay! I love meta-asks <3<3<3

So, it depends on the meta. In general, I try to focus on a specific topic, which can be:

a character (arc + foiling between characters)

a theme

the use of a specific motif, when it comes to a character or a theme

These are my three favourite kinds of analyses, but there are other types, as well. For example, some people are really into plot theories/predictions. Others prefer to focus on characters from a psychological viewpoint. Some other writers like to use philosophical lens or to compare different works. It really depends on your preference.

My preference is mostly for thematic analyses. This means that my character metas too tend to use a thematic lens. So...

WHAT IS THE THEME?

In short, the theme of a story is both:

the topic the story is exploring

the moral of the story, aka a phrase which summarizes its message

Stories explores topics through characters and plot, while the way the conflict is solved tells us the moral.

Some examples:

RWBY's main topic is humanity in both its weakness and strength and its moral is that victory is in a simple soul

Madoka's main topic is wishes and its moral is that it is worth to want things and to fight for them, even if it is painful

HXH is strange structurally, but its main topic is self-search, with its moral being that a person should not focus on the goal, but enjoy the journey

All of these messages and ideas aren't just things stated in dialogues (even if someone saying the theme helps). They emerge from the story itself.

RWBY's main conflict is about a destroyed world (remnant) surviving the anger of an evil witch (Salem). If humans let hate divide them, they lose. If they unite, they win. The main thematic question is then... can humans make the right choice? And the answer is that they can, as long as they remain simple souls (Ruby, but also Pyrrha at Beacon, Blake in Managerie, Yang in Mistral, Weiss with her family, JNR when they tag along and Penny in Atlas). The main message is that several people making the right choice leads to change. And that is humanity. This is why the characters keep being asked to give up their idealism and to embrace a more utilitarian way of doing things. And this is why every time they refuse and stick to their idealism. The conflict itself keeps testing their resolution.

Madoka's power system works through wishes, so the girls' powers and their backstories are all defined by their wishes and by how they relate to them. Madoka doesn't know what she wants. Homura's wish turns into an obsession. Mami makes a wish too early and thinks only about herself. Kyouko and Sayaka make a wish for someone else and have opposite reactions to their wishes ending poorly. Finally, it is revealed the girls' wishes are literally the force that keeps the world at balance. So, the plot, character arcs, conflict and worldbuilding are all about wishes.

HXH is made up of several arcs and each arc has its own theme. That said, the overall structure conveys the main theme. Gon's objective is to find Ging, but he keeps taking detours and getting engulfed in unrelated conflicts. However, the moment he meets Ging he realizes it is not his father who defines him, but rather it is all the people he met in his journey and his own experiences. Basically, HXH's strange structure conveys the main theme.

So, the theme (both topic and moral) should emerge by the characters, the worldbuilding, the conflict and sometimes even by the structure itself. In order to find it, one should start with the topic and ask themselves "What does the story really talk about?". The answer to this question will let you understand the theme as topic. The second step is to see how the story explores it.

DIFFERENT POINTS OF VIEW ON THE TOPIC

There are different ways a story can explore a topic. Still, the best stories have different perspectives clash with each other. Very often these different points of view are embodied by different characters.

Here are some examples, with some linked metas that explore the respective stories more in depth.

Madoka (topic= wishes):

Homura is determined to fulfill her wish no matter what

Kyubey is her opposite, as they are unable to wish since they lack feelings. This is why they need to recruit girls into creating energy through wishes

Madoka is in the middle, as she wants to wish for something, but doesn't know what

Mami, Kyouko and Sayaka all explore negative effects linked to wishes, which are connected to other secondary themes. Specifically, Mami explores the consequences of an immature wish, while Sayaka and Kyouko explore the selfishness/selflessness inherent in wishes

The conflict is solved through Madoka learning about the price of wishes, but still choosing to make a wish and to sacrifice her whole self for it. This ending conveys a specific moral: despite the pain and sacrifice that comes with them, wishes are still beautiful and worth it all. If Madoka had chosen to give up being a magical girl and had ended up the series without making a wish, the moral would have been the opposite: that a normal life is better than grandiose and dangerous dreams.

Monster (topic = the value of life)

Tenma believes that all lives are equal, which is why he chooses to save Johan as a child, despite being ordered to operate a far more influential patient.

Eva and Nina believe that not all lives are equal. In particular, Eva thinks that social status and importance in society influence the value of one's life. Nina instead believes that people who commit crime should be punished and lose their lives.

Johan believes no-life has value, including his own. In his words, the only thing all humans are equal in is death.

Here, the moral is conveyed through the Tenma/Nina vs Johan's conflict. Tenma is tested in his beliefs, but ultimately does not abandon them and ends the story by saving Johan. Nina instead is asked to change her mind, as she ends the story embracing Tenma's point of view.

RWBY - The Atlas Arc (topic = trust)

Ozpin lacks trust, as he is unable to trust others, no matter how loyal or dedicated to his cause they are

Ruby wants to "trust safely". She wants others, like Ironwood, to prove themselves to her before disclosing the truth to them

Ironwood is initially on Ruby's same page, but he spirals and comes to embody the "enemy of trust" aka control. He doesn't trust others, but wants to control them.

Oscar embodies trust, as he wants to trust Ironwood since the beginning. Even later on, he keeps on trusting people like Hazel and Emerald who are his enemies.

Cinder embodies another "enemy of trust", aka manipulation. She doesn't need to trust others to work with them, as she can use their feelings and wishes against them.

Penny embodies faith, which is a more extreme form of trust. She sacrifices herself and leaves the maiden power to Winter. She has no proof Winter will be able to save Weiss, Jaune or the relic, but she entrusts the future to her.

All these characters struggle with trust and its dangers. Some, like Ozpin, Ironwood and Cinder decide that trusting is too dangerous. Others, like Ruby, Penny and Oscar realize that to trust is the only way to move forward. Moreover, they learn there is not way to trust safely. As a matter of fact the moral of the arc is that "trust is a risk" and risks mean that things can end up badly. Still, not to take risk means to give up hope.

Hazbin Hotel - You didn't know song (topic= knowledge)

This song explores the idea of knowlege. The characters are after all in the middle of a questioning, which leads to several secrets coming out. Moreover, throughout it all the characters either admit or realize how ignorant they all are. The way they deal with this lack of knowledge establishes different thematic stances.

Charlie and Emily are both naive and ignore the darkest sides of their loved ones. Charlie doesn't know Vaggie used to be an exorcist and Emily has no idea Sera ordered the exterminations. Still, their answer to ignorance is to keep on questioning. They have no idea why only certain souls are admitted in heaven. Still, they think it is important to investigate the phenomenon and use it as evidence that there might be hope for the spirits in hell.

Lute and Adam don't know why some spirits end up in hell and others in heaven. Still, they do not bother to question it. So, Adam is caught by surprise by Charlie's question and has to improvise an answer. Not only that, but even later on the duo insist that Angel not being in Heaven proves he is unholy. And that's it.

Sera does know about the extermination, as she knows the system is unfair. Still, she refuses to question it and forbids others to do the same. She is the only one whose sin isn't ignornace, but knowledge.

There is no a clear thematic resolution to the question posed by the song. This is because the series is not over yet. However, the scene sets up the theme and the way characters will deal with it in later seasons will give us the moral.

As you can see, not only whole stories (like Madoka, or Monster) have themes, but also arcs (RWBY) and even episodes or scenes (Hazbin Hotel). That said, the way to go at it is always the same. Pintpoint the main topic and start investigate how the characters or the worldbuilding deal with it. You are gonna get several stances. The one which emeges victorious is the moral.

Let's highlight that the moral is not always embodied by the protagonist. For example, in the Madoka and RWBY's examples, Madoka and Ruby are initially at a loss and come to learn the moral by the end of the story (for Madoka) and arc (for Ruby). Similarly, Tenma initially does believe the moral, but doubts it throughout the story, only to be reminded and helped by other characters (like Nina).

In any case, the way the protagonist and characters in general relate to the main theme and to secondary themes is key for their arcs.

CHARACTERS AND THEME

When it comes to theme a character can either:

Believe the moral since the beginning

Not believe the moral since the beginning

In the first case, the character either stops believing the moral by the end (negative arc) or keeps believing the moral until the end (positive arc). In the second case, the character either learns the moral (positive arc) or doesn't learn the moral (negative arc).

In short, the story keeps challenging the character on their beliefs and they must either stick to their point of view or change it, depending if they believe in the moral since the beginning or not.

Exhibit A:

Charlie's belief that sinners can be redeemed is right. Still, in the beginning nobody else agrees with her, so she is challenged by the world around her. Her objective is not to lose faith in the Hazbin Hotel and to inspire others to change their mind too. Throughout her journey, she is bound to grow too. She starts as sheltered and naive with a simplistic idea of what redemption is. By the end, she will gain a deeper understanding of redempion and will grow as a result.

Exhibit B:

Eren's journey is about realizing what freedom (the main topic) is about. The problem is that he fixates himself on the idea that freedom means no boundaries, either natural nor humans. This leads him to embrace destruction and nihilism and to lose himself. In the end, the character who realizes what freedom truly is is Mikasa. She doesn't discard her bond with Eren, but is still able to make independent choices and to live as herself. In short, Eren doesn't learn the moral, hence why he spirals instead of growing.

Charlie is a protagonist who knows the moral and will grow with it in a positive arc. Eren is a protagonist who doesn't know the moral and never learns it. This is why he has a tragic negative arc.

These are just two examples, but there can be different combinations. By interrogating yourself on how characters relate to a theme, you get better a better understanding of their role in the story and of their overall arcs.

Still, how to find themes in a story? Luckily, each text is full of hints that are there for us to interpret them.

MOTIFS

Motifs are repetitive details within a story, which are used to communicate themes.

Anything can be a motif: a line, a musical tune, a specific imagery, an object. By repeating them in key moments throughout a narrative, they become symbols, which means they can lead to bigger metaphors and convey specific meanings.

In the song More Than Anything, dream is one of the main topics. We realize it because the characters keep mentioning it. At the same time, light keeps popping up. Lucifer summons light and throws it away, Charlie rememebrs a light show Lucifer imrpovised for her. Lucifer and Charlie start the song in the shadow and they end it in the light. This means that "light" is a motif throughout the song and by seeing how it is used we better understand the theme and the relationship between the two characters. We understand that light is a metaphor for dreams. Lucifer gives up on it, Charlie is inspired by it and eventually Lucifer summons it back as he has decided to believe in Charlie's dream. By looking at the way light is used, we can see that Charlie teaches Lucifer the moral that it is worth it to fight for dreams and not to give up on them.

In the CAA of HXH, gungi is a motif that comments both the topic of humanity and Meruem and Komugi's relationship. Their matches become a metaphor of monstrosity vs humanity, as humanity slowly conquers Meruem to the point he himself chooses to live and die as a human, rather than the King of the Ants. Similarly, Kokoriko symbolically becomes Komugi and Meruem's child, in the sense they give birth to this move and evolve the game.

Sometimes, their meaning is unique to the story. For example, gungi is a motif that makes sense within HxH and can't be brought outside of the series, as it is not a real world game. It only exists in that universe. Some other times, a motif can tie to bigger sets of symbols. For example, light and shadow are universal symbols that bring with them several additional meanings:

Good and Evil

The Jungian persona shadow

In the Hazbin Hotel song the first dychotomy doesn't fit, while the second one does. Initially both Lucifer and Charlie hide things from each other (shadow), whereas by the end they show who they are (light).

In short, to analyze a story, you should find its key motifs. They are hints to better understand the theme and the characters. Different stories will use different motifs and tie them to different wider sets of symbols. To find the right ones can help a lot in better understanding a story, as a whole.

Some examples:

RWBY uses fairy tales and alchemy as its main motif, so these two sets of symbols are the most useful to analyze the series

HxH is a shonen and uses its powers and fights to convey character arcs and themes, so to analyze one's nen abilities helps a lot

Hazbin Hotel is a musical series that takes inspiration from religion and mythology. So, it is probable that the best understanding of it will come from analyzing its songs and from looking into its religion inspiration

Of course this doesn't mean you should only use one motif to analyze a story. For example, you can use RWBY's semblances to look into the characters, as well. And there are some fairy tale allusions in Hazbin too. In the end, it is about using what best helps you understand a story as a whole.

What is more, there are general sets of symbols that can be useful in most stories, such as jungian archetypes. Finally, you might want to start from other aspects of the story itself, rather than theme or characters or plot. For example, you might be drawn to the world-building and realize it is used in a special way to explore the theme. Or you might be curious about character designs and see that they have their own symbolism (for example, I believe RWBY ones do and probably Hazbin Hotel ones, as well).

SOME PRACTICAL ADVICE

I have linked in the title of each paragraph, but this last one an article by @septembercfawkes. Her posts are great to better understand narrative structure and I found them enlightening.

I think the best thing you can do is to start with focused metas. Choose a scene, a character, a motif that intrigues you and start exploring it. It is better to start small and to narrow your focus, it would be easier to organize your article.

I usually outline the contents of the meta before starting to write it. Still, it sometimes changes as I keep writing.

It can be useful to write at the beginning of your analysis what you are gonna do. It will help you remember what the point of the meta is. For example, in my RWBY allusion meta or HxH nen meta, I always start with the motif I am analyzing. I summarize the fairy tale (even if many people know it already) and I explain what the character's ability is about. It helps organizing the flow and the contents.

The more you analyze the better you become at it, so it is just a matter of starting :)

Thank you for the asks, I hope this was helpful and not too much confusing!

Have a nice day!